A work in constant progress (and occasional regress).
Birthplace:
Mississauga, Ontario, Canada
Canadian James Poremba works as a gaffer, camera, and steadicam operator, and director of photography for film and television productions.
"A" Camera Operator:
2021 Left for Dead: The Ashley Reeves Story
Camera Operator:
2017 The Carmilla Movie
2020 The Problem with Lady Werewolves
2021 Left for Dead: The Ashley Reeves Story
Cinematography:
2016 A Brief History of the Apocalypse
2017 Playing Cards
2017 The Carmilla Movie
2018 Darkside
2020 The Problem with Lady Werewolves
2021 Left for Dead: The Ashley Reeves Story
???? This Will Be My Legacy
Director of Photography:
2016 A Brief History of the Apocalypse
2017 Playing Cards
2017 The Carmilla Movie
2018 Darkside
2020 The Problem with Lady Werewolves
2021 Left for Dead: The Ashley Reeves Story
2024 Backspot
???? This Will Be My Legacy
Steadicam Operator:
2016 A Brief History of the Apocalypse
2017 Playing Cards
2017 The Carmilla Movie
2018 Darkside
2019 Acquainted
2020 The Problem with Lady Werewolves
2021 Left for Dead: The Ashley Reeves Story
2024 Backspot
???? This Will Be My Legacy
Director of Photography:
2014 Carmilla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.