A work in constant progress (and occasional regress).
Release Date:
June 12, 2021
Original Title:
Left for Dead: The Ashley Reeves Story
Genres:
Drama | TV Movie
Production Companies:
Cineflix Productions
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 87
17-year-old Ashley Reeves is left for dead in the woods following a brutal attack. After spending 30 horrific hours in the cold, gravely wounded, lying in the dirt, and paralyzed, the police find her alive.
"A" Camera Operator:
James Poremba
"B" Camera Operator:
Greg Biskup
Additional Music:
Christopher Guglick
Art Direction:
Neal Hall
Assistant Costume Designer:
Meron Kebede
Assistant Editor:
Adrien Yiptong
Assistant Location Manager:
Will Moll
Assistant Production Coordinator:
Cam Switzer
Assistant Property Master:
Isabelle Foisy
Background Casting Director:
Maureen Evans
Best Boy Electric:
Mario Vertolli
Best Boy Grip:
Dylan Pickett-Fallis
Boom Operator:
Art Pisanski
Camera Trainee:
Rachel Switzer
John Shumelda
Casting Director:
Larissa Mair
Colorist:
Walt Biljan
Construction Coordinator:
Luis Rodrigues
Costume Designer:
Melissa Bessey
Costume Set Supervisor:
Shaylyn Lucas
Director:
Gloria Kim
Director of Photography:
Greg Biskup
Dolly Grip:
Thomas O'Reilly
Editor:
Diane Brunjes
Electrician:
Tye Evans
Domeonie Tulloch
Executive Producer:
Jeff Vanderwal
Sherri Rufh
Charles Tremayne
First Assistant "B" Camera:
Carly Brenner Hunter
First Assistant Accountant:
Richard Gaskin
First Assistant Camera:
Bill Franks
First Assistant Director:
Kevin Walker
First Assistant Editor:
Jeff Leblanc
Foley Artist:
Guy Francoeur
Thomas Ass
Foley Recording Engineer:
Joshua Pichardo
Gaffer:
Blayne Badge
Generator Operator:
Peter Mistelbacher
Grip:
Jose Marchelli
Tony Radivoi
Hairstylist:
Staceylee Estabrooks
Key Grip:
Tex Entch
Lead Set Dresser:
Alberto van Vollenhoven
Line Producer:
Kim Yu
David Carruthers
Location Manager:
Joe Robinson
Makeup & Hair:
Michelle Willis
Morgan Horwood
Makeup Artist:
Roksana Razavi
Online Editor:
Adam Gagnon
Original Music Composer:
James Mark Stewart
Producer:
Kim Bondi
Production Coordinator:
Danielle Clayson
Production Design:
Diana Magnus
Production Manager:
Kim Yu
Production Sound Mixer:
Jeffery Magat
Property Master:
Jackie McClelland
Script Supervisor:
Beth Mell
Second Assistant "A" Camera:
Will Robertson
Second Assistant "B" Camera:
Jay Jay Callan
Second Assistant Director:
Joe Caporale
Security:
Artur Szewczyk
Set Decoration:
M-A Orenstein
Set Dresser:
Brennan Shimoda
Sandra Kowalewska
Iilya Pajkovic
Benji Young
Set Medic:
Siobhan Kennedy
Sound Editor:
Michael Bonini
Sound Re-Recording Mixer:
Michael Bonini
Stunt Coordinator:
Paul Rapovski
Stunt Double:
Laura Vuculescu
Anthony Ferri
Supervising Sound Editor:
Brian Eimer
Third Assistant Director:
Ace McCallum
Transportation Captain:
Scott Clarke
Transportation Coordinator:
Elsa Scruton
Truck Supervisor:
Zoe Leberg
Writer:
Christina Welsh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.