A work in constant progress (and occasional regress).
Alias:
Lee Earle Elroy
Birthplace:
Los Angeles, California, USA
Born:
March 4, 1948
From Wikipedia, the free encyclopedia. James Ellroy (born March 4, 1948) is an American crime fiction writer and essayist. Ellroy has become known for a so-called "telegraphic" prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia (1987), The Big Nowhere (1988), L.A. Confidential (1990), White Jazz (1992), American Tabloid (1995), The Cold Six Thousand (2001), and Blood's a Rover (2009). Description above from the Wikipedia article James Ellroy, licensed under CC-BY-SA, full list of contributors on Wikipedia
Novel:
1988 Cop
1997 L.A. Confidential
1998 Brown's Requiem
2002 Stay Clean
2003 L.A. Confidential
2006 The Black Dahlia
Screenplay:
1988 Cop
1997 L.A. Confidential
1998 Brown's Requiem
2002 Stay Clean
2003 L.A. Confidential
2006 The Black Dahlia
2008 Street Kings
2011 Rampart
Story:
1988 Cop
1997 L.A. Confidential
1998 Brown's Requiem
2002 Dark Blue
2002 Stay Clean
2003 L.A. Confidential
2006 The Black Dahlia
2008 Street Kings
2011 Rampart
Writer:
1988 Cop
1997 L.A. Confidential
1998 Brown's Requiem
2002 Dark Blue
2002 Stay Clean
2003 L.A. Confidential
2003 L.A. County 187
2006 The Black Dahlia
2008 Street Kings
2011 Rampart
Creator:
???? The Lead Sheet
Story:
1993 Fallen Angels
???? The Lead Sheet
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.