Home

Brown's Requiem (1998) [R]

Release Date:
November 1, 1998

Original Title:
Brown's Requiem

Genres:
Action | Drama | Mystery | Thriller

Production Companies:
J & T Productions
Savvy Lad, Inc

Production Countries:
United States of America

Ratings / Certifications:
US: R 

Runtime: 104

In L.A., The Law Is Still For Sale.

Overview from TheMovieDB

Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Mixer:
Eric Thompson

ADR Recordist:
Shawn Kennelly

Additional Second Assistant Camera:
Gary Webster
Nathan Berggren

Additional Set Dresser:
Sandy Adams

Art Direction:
Mike Islas

Assistant Art Director:
Mehrnaz Ghappari

Assistant Editor:
Bryan Lamoureux

Assistant Makeup Artist:
Alejandra Motamed
Merc Arceneaux

Assistant Production Coordinator:
Philip Lester

Assistant Set Dresser:
Janette E. Kim

Associate Producer:
Kit jennings
Scott J. Jones
Michael Rooker
Matt Radecki
Erik Kritzer

Boom Operator:
Vincent Schelly

Casting:
Joseph Middleton

Casting Associate:
Michelle Morris

Costume Design:
Mimi Melgaard

Costume Supervisor:
Ruth Allegra Peña

Dialogue Editor:
Paul Curtis
John C. Stuver

Director:
Jason Freeland

Director of Photography:
Seo Mutarevic

Editor:
Toby Yates

Executive Producer:
Mark Ezralow
John McDonnell III
Theodore J. Farnsworth

First Assistant Camera:
David Sammons

First Assistant Director:
George Bamber

Foley Artist:
Sean Rowe
Joan Rowe

Foley Mixer:
Eric Thompson

Key Hair Stylist:
Cindy Dalvano

Key Makeup Artist:
Shirra

Music Consultant:
Greg Longstreet

Music Editor:
Michael Baber
Jennifer Blank
Kim Naves

Music Supervisor:
Todd Rosenberg

Novel:
James Ellroy

On Set Dresser:
Liba Daniels

Original Music Composer:
Cynthia Millar

Post Production Supervisor:
Teresa Kelly

Producer:
Tim Youd
David Scott Rubin

Production Coordinator:
Richard E. Chapla Jr.

Production Design:
Marc L. Rizzo

Prosthetic Makeup Artist:
Rob Burman

Script Supervisor:
Gabi Endicott

Second Assistant Camera:
Andrew Bikichky

Second Assistant Director:
Robin Sheldon Jorden

Second Second Assistant Director:
Romano Paoletti

Set Decoration:
Nick Ralbovsky

Sound Effects Editor:
Elisabeth Flaum
Laura Kamper
Michael Kamper
Tim Walston

Sound Mixer:
B.J. Lehn

Sound Re-Recording Assistant:
Laura Kamper
Juan Peralta

Sound Re-Recording Mixer:
Marshall Garlington
Ken Teaney

Special Effects Coordinator:
David Waine

Special Effects Makeup Artist:
Rob Burman

Stunt Coordinator:
Kurt Bryant

Supervising Sound Editor:
Andrew DeCristofaro

Supervising Sound Effects Editor:
Ann Scibelli

Unit Production Manager:
Mark B. Lasser

Writer:
Jason Freeland

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.