Home

David Feinsilber (b. 1985)

Birthplace:
Suffern, New York, USA

Born:
December 1, 1985

Biography from TheMovieDB

David Feinsilber (born December 1, 1985) is a visual effects producer. Born in Suffern, New York, USA, he has built a diverse career in film, contributing in numerous roles including visual effects coordinator, visual effects producer, and associate producer.  Early in his career, Feinsilber worked as a visual-effects coordinator on films such as Salt (2010), Final Destination 5 (2011), The Hangover Part II (2011), I Am Number Four (2011), and Oblivion (2013). He expanded into roles with greater responsibility, including visual-effects production supervisor on films like Dracula Untold (2014) and Beauty and the Beast (2017).  Transitioning to visual-effects producer, Feinsilber contributed to several notable films, including The Nun (2018), Velvet Buzzsaw (2019), Jingle Jangle: A Christmas Journey (2020), Flora & Ulysses (2021), and Disenchanted (2022). He also served as production VFX producer on The Electric State (2025), directed by Anthony Russo and Joe Russo.  Though less central to his identity, he is also credited as an associate producer on Velvet Buzzsaw (2019).

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Associate Producer:
2019  Velvet Buzzsaw

Visual Effects Coordinator:
2010  Salt
2011  Final Destination 5
2011  I Am Number Four
2011  The Hangover Part II
2019  Velvet Buzzsaw

Visual Effects Producer:
2010  Salt
2011  Final Destination 5
2011  I Am Number Four
2011  The Hangover Part II
2014  Dracula Untold
2018  The Nun
2019  Velvet Buzzsaw
2020  Jingle Jangle: A Christmas Journey
2021  Flora & Ulysses
2022  Disenchanted
2025  The Electric State

Visual Effects Production Manager:
2010  Salt
2011  Final Destination 5
2011  I Am Number Four
2011  The Hangover Part II
2013  Oblivion
2014  Dracula Untold
2018  The Nun
2019  Velvet Buzzsaw
2020  Jingle Jangle: A Christmas Journey
2021  Flora & Ulysses
2022  Disenchanted
2025  The Electric State

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.