A work in constant progress (and occasional regress).
Mix Technician:
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
Music:
2004 Der Fremde und der Affe
2009 Der Großvater
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
Sound:
2004 Der Fremde und der Affe
2005 Schwarze Erdbeeren
2009 Der Großvater
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
2025 Xoftex
Sound Designer:
2003 Down
2004 Der Fremde und der Affe
2005 Schwarze Erdbeeren
2006 Hochhaus
2009 Der Großvater
2018 Crystal Swan
2019 Resistance Fighters – The Global Antibiotics Crisis
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
2021 Who We Were
2022 Holy Shit!
2025 Xoftex
???? Rave On
Sound Editor:
2003 Down
2004 Der Fremde und der Affe
2005 Schwarze Erdbeeren
2006 Hochhaus
2009 Der Großvater
2014 Alles Verbrecher: Eiskalte Liebe
2018 Crystal Swan
2019 Resistance Fighters – The Global Antibiotics Crisis
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
2021 Who We Were
2022 Holy Shit!
2025 Xoftex
???? Rave On
Sound Mixer:
2003 Down
2004 Der Fremde und der Affe
2005 Schwarze Erdbeeren
2006 Hochhaus
2009 Der Großvater
2014 Alles Verbrecher: Eiskalte Liebe
2016 One Breath
2018 Crystal Swan
2019 Resistance Fighters – The Global Antibiotics Crisis
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
2021 Who We Were
2022 Holy Shit!
2025 Xoftex
???? Rave On
Sound Re-Recording Mixer:
2003 Down
2004 Der Fremde und der Affe
2005 Schwarze Erdbeeren
2006 Hochhaus
2009 Der Großvater
2014 Alles Verbrecher: Eiskalte Liebe
2016 One Breath
2018 Crystal Swan
2019 Resistance Fighters – The Global Antibiotics Crisis
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
2021 Who We Were
2022 Holy Shit!
2025 Xoftex
???? Rave On
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.