A work in constant progress (and occasional regress).
Original Title:
Rave On
Alternate Titles:
Rave
Genres:
Drama | Music
Production Companies:
Friendship Films
Telos Production
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 80
A desperate musician. A legendary techno club. An intoxicating rave odyssey.
Additional Photography:
Adriana Berroteran
Assistant Costume Designer:
Ella Imig
Assistant Production Design:
Alina Iman Dunker
Assistant Production Manager:
Elias Wolf
Boom Operator:
Eeva Ojanperä
Casting Director:
Nathalie Mischel
Lisa Stutzky
Cinematography:
Jonas Schneider
Costume Designer:
Tatjana Jung
Costumer:
Pierre-Yves Dalka
Crowd Assistant Director:
Sonja Lunau
Florian Rayé
Data Wrangler:
Nassos Chatzopoulos
Director:
Viktor Jakovleski
Nikias Chryssos
Director of Photography:
Jonas Schneider
Editor:
Anselm Koneffke
Executive Producer:
Patrick Schorn
First Assistant Camera:
Sabine Ballnat
First Assistant Director:
Martin Zillmann
Foley Artist:
Carsten Richter
Foley Editor:
Paul Ziesche
Foley Mixer:
Hanse Warns
Gaffer:
Tarek Shayne Tabet
Key Makeup Artist:
Florian Gruber
Location Scout:
Stephan Weiler
Music:
Ed Davenport
John Gürtler
Producer:
Andro Steinborn
Production Assistant:
Patrick Wendling
Production Coordinator:
M. Jeronimo Hahn
Production Designer:
Lea Walloschke
Production Sound Mixer:
Tobias Böhm
Property Master:
Florence Nowacki
Rigging Grip:
Felix Schüler
Script Supervisor:
Lucy Ribeiro
Second Assistant Camera:
Laura Uhl
Second Unit Director of Photography:
Maciej Rolbiecki
Sound Designer:
Oliver Achatz
Standby Property Master:
Hanna Klumpp
Florence Nowacki
Still Photographer:
Mustafah Abdulaziz
Unit Manager:
Dagmar Leibham
Video Assist Operator:
Lieselotte van Balen
Visual Effects Supervisor:
Adrian Meyer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.