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Danielle Deadwyler (b. 1982)

Alias:
دانیل ددویلر
ダニエル・デッドワイラー

Birthplace:
Atlanta, Georgia, USA

Born:
May 3, 1982

Biography from TheMovieDB

Danielle Deadwyler (born May 3, 1982) is an American actress. She began her career appearing on Atlanta stage, notably the 2009 production of For Colored Girls, and made her screen debut in the 2012 drama film A Cross to Bear. She appeared in the primetime series The Haves and the Have Nots (2015–2017), the series P-Valley (2020), the miniseries Station Eleven (2021–2022), and the miniseries From Scratch (2022).  Deadwyler garnered critical acclaim for starring in the western film The Harder They Fall (2021) and the biopic Till (2022). Her portrayal of Mamie Till in the latter earned her many accolades, garnering the Gotham Independent Film Award for Outstanding Lead Performance and earning BAFTA Award, Critics' Choice Movie Award and Screen Actors Guild Award nominations.  Description above from the Wikipedia article Danielle Deadwyler, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Director:
2020  CHOR(E)S
????  bustitOpen

Executive Producer:
2020  CHOR(E)S
2024  40 Acres
2024  Parallel
2025  The Woman in the Yard
????  The Saviors
????  bustitOpen

Producer:
2020  CHOR(E)S
2020  The Devil to Pay
2024  40 Acres
2024  Parallel
2025  The Woman in the Yard
????  The Saviors
????  The Street
????  bustitOpen

Writer:
2020  CHOR(E)S
2020  The Devil to Pay
2024  40 Acres
2024  Parallel
2025  The Woman in the Yard
????  The Saviors
????  The Street
????  bustitOpen

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.