The Bear (2022-2024)

Premiere:
June 23, 2022

# of Seasons: 3

# of Episodes: 28

Finale:
June 26, 2024

Creators:
Christopher Storer

Original Title:
The Bear

Alternate Titles:
Bear
El Oso (The Bear)
FX's The Bear
Kubelik
大熊餐館
熊家餐馆

Genres:
Comedy | Drama

Production Companies:
FX Productions

Countries:
US

Carmy, a young fine-dining chef, comes home to Chicago to run his family sandwich shop. As he fights to transform the shop and himself, he works alongside a rough-around-the-edges crew that ultimately reveal themselves as his chosen family.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Gary Malouf

"B" Camera Operator:
Chris Dame

Art Direction:
Lisa Korpan

Assistant Costume Designer:
Lariana Santiago

Assistant Editor:
Travis Cummings
Noah Benezra
Megan Mancini
Oliver Benezra

Assistant Location Manager:
Gilbert B. Morales

Best Boy Electric:
Matthew Hughes

Best Boy Grip:
Matt Jahnke

Casting:
Maggie Bacharach
Jeanie Bacharach

Casting Associate:
Kaitlin Shaw

Co-Executive Producer:
Courtney Storer
Rene Gube

Co-Producer:
Karen Joseph Adcock
Will Guidara
Ricky Staffieri
Duccio Fabbri

Colorist:
Mishel Hassidim

Construction Coordinator:
Steve Hull

Consulting Producer:
Sarah Adler

Costume Design:
Courtney Wheeler

Costume Supervisor:
Steven Rehage

Digital Imaging Technician:
Thomas Zimmerman

Executive Producer:
Cooper Wehde
Tyson Bidner
Matty Matheson
Joanna Calo
Josh Senior
Christopher Storer
Hiro Murai

First Assistant "A" Camera:
Matt Rozek

First Assistant "B" Camera:
Sam Knapp

Gaffer:
Jeremy Long

Hair Department Head:
Ally Vickers

Key Costumer:
Sam Mengel

Key Grip:
David Wagenaar

Key Hair Stylist:
Angela Brasington

Key Makeup Artist:
Zsófia Ötvös

Leadman:
Jeffrey Klein

Loader:
Eva June

Local Casting:
Mickie Paskal
Jennifer Rudnicke

Location Manager:
Maria C. Roxas

Makeup Department Head:
Ignacia Soto-Aguilar

Music Editor:
Jeff Lingle
Jason Lingle

Music Supervisor:
Christopher Storer
Josh Senior

Online Editor:
Alex Quinn
Davy Gomez

Other:
Courtney Storer

Post Production Coordinator:
Hannah Welever

Post Production Supervisor:
Tiffany Brown

Producer:
David Woods
Carrie Holt de Lama

Producer's Assistant:
Bethany Berg
Sobhit Singh Arora
Nora Mohamed
Brianna Seamster

Production Accountant:
Alicia Guckin

Production Controller:
Andy Wheeler

Production Coordinator:
Aaron Rasbury

Production Design:
Merje Veski

Production Sound Mixer:
Scott D. Smith

Production Supervisor:
Thomas Molash

Property Master:
Laura Roeper

Rigging Gaffer:
Thomas Hamaker

Script Coordinator:
Samanatha Shier
Jesse Rothenberg

Script Supervisor:
Tony Mendoza

Set Decoration:
Eric Frankel

Set Designer:
Angela Ngo
Shane Cinal

Sound Re-Recording Mixer:
Steve Giammaria

Special Effects Coordinator:
Margaret Goddard Knop

Story Editor:
Catherine Schetina

Stunt Coordinator:
Christian Litke

Supervising Producer:
Alex Russell

Supervising Sound Editor:
Steve Giammaria

Transportation Coordinator:
Thaddeus E. Larkowski

Unit Production Manager:
Tyson Bidner
Carrie Holt de Lama

Visual Effects Producer:
Opal Fleischmann

Visual Effects Supervisor:
Luke DiTommaso

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.