A work in constant progress (and occasional regress).
Alias:
Guillermo Pena
Guillermo Pena'
Assistant Camera:
1955 Red Fish
1955 Sucedió en Sevilla
1956 La Gata
1958 Red Cross Girls
1959 Valentine's Day
1960 Amor bajo cero
1960 Crimen para recién casados
1961 Siempre es domingo
1962 El balcón de la Luna
1962 Melodías de hoy
1962 Mi adorable esclava
1962 Vuelve San Valentín
1963 La becerrada
1965 Dos chicas locas locas
1966 Acompáñame
1971 In the Eye of the Hurricane
1972 The Little Triangle
1975 Cry, Onion!
1976 Libertad provisional
1976 The Anchorite
1979 Saturday, Sunday and Friday
1980 El museo del Prado
1980 The Beasts' Carnival
Camera Operator:
1955 Red Fish
1955 Sucedió en Sevilla
1956 La Gata
1958 Red Cross Girls
1959 Valentine's Day
1960 Amor bajo cero
1960 Crimen para recién casados
1961 Siempre es domingo
1962 El balcón de la Luna
1962 Melodías de hoy
1962 Mi adorable esclava
1962 Vuelve San Valentín
1963 La becerrada
1965 Dos chicas locas locas
1966 Acompáñame
1971 In the Eye of the Hurricane
1972 The Little Triangle
1975 Cry, Onion!
1976 Libertad provisional
1976 The Anchorite
1978 Rings of Fear
1979 Saturday, Sunday and Friday
1980 El museo del Prado
1980 The Beasts' Carnival
First Assistant Camera:
1955 Red Fish
1955 Sucedió en Sevilla
1956 La Gata
1958 Red Cross Girls
1959 Valentine's Day
1960 Amor bajo cero
1960 Crimen para recién casados
1961 Siempre es domingo
1962 El balcón de la Luna
1962 Melodías de hoy
1962 Mi adorable esclava
1962 Vuelve San Valentín
1963 La becerrada
1963 The Fair of the Dove
1965 Dos chicas locas locas
1966 Acompáñame
1971 In the Eye of the Hurricane
1972 The Little Triangle
1975 Cry, Onion!
1976 Libertad provisional
1976 The Anchorite
1978 Rings of Fear
1979 Saturday, Sunday and Friday
1980 El museo del Prado
1980 The Beasts' Carnival
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.