A work in constant progress (and occasional regress).
Release Date:
December 9, 1963
Original Title:
La verbena de la paloma
Genres:
Comedy
Production Companies:
Producciones Benito Perojo
Suevia Films
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 95
In Madrid, Spain, an omniscient narrator transforms Mari Loli and Merche, two beautiful sales clerks, into Susana and Casta, who flirt with Don Hilarión, an old apothecary, which arouses the jealousy of Julián, who is in love with Susana.
Assistant Director:
Luis Ligero
Assistant Editor:
José Luis Berlanga
Assistant Makeup Artist:
Gregorio Mendiri
Carmen Rodríguez
Assistant Production Manager:
José González Monroy
Assistant Set Decoration:
Antonio de Miguel
Camera Operator:
Clemente Manzano
Choreographer:
Alberto Portillo
Construction Coordinator:
Francisco Rodríguez Asensio
Costume Design:
Antonio Cortés
Director:
José Luis Sáenz de Heredia
Director of Photography:
Alejandro Ulloa
Editor:
Antonio Ramírez de Loaysa
Executive Producer:
Benito Perojo
First Assistant Camera:
Guillermo Peña
Hairstylist:
Josefa Rubio
Makeup Artist:
Manuel Martín
Music:
Tomás Bretón
Producer:
Cesáreo González
Production Assistant:
Marino Méndez
José González Monroy
Pedro Cotobal
Production Design:
Enrique Alarcón
Production Manager:
José Panero
Miguel Tudela
Screenplay:
José Luis Sáenz de Heredia
Script Supervisor:
Carmen Salas
Second Assistant Camera:
Domingo Solano
Set Decoration:
Enrique Alarcón
Sound:
Paulino García
Jesús Jiménez
Still Photographer:
Simón López
Supervising Producer:
Miguel Tudela
Theatre Play:
Ricardo de la Vega
Unit Manager:
José María Ramos
Visual Effects:
Pablo Núñez
Wardrobe Master:
Humberto Cornejo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.