A work in constant progress (and occasional regress).
Assistant Costume Designer:
2013 White as Milk, Red as Blood
Costume Assistant:
2013 White as Milk, Red as Blood
2016 Non si ruba a casa dei ladri
Costume Design:
2013 White as Milk, Red as Blood
2016 Non si ruba a casa dei ladri
2016 Perfect Strangers
2017 The Place
2018 Under Suspicion for a Crime of Passion Aggravated by Triviality
2019 Amor Sacro
2019 L'eroe
2022 My Soul Summer
2024 L’amore e altre seghe mentali
2024 The Trainers
2024 Vanished into the Night
2025 Mani nude
Costume Designer:
2013 White as Milk, Red as Blood
2016 Non si ruba a casa dei ladri
2016 Perfect Strangers
2017 The Place
2018 Under Suspicion for a Crime of Passion Aggravated by Triviality
2019 Amor Sacro
2019 L'eroe
2020 The Players
2022 My Soul Summer
2022 Tell It Like a Woman
2024 L’amore e altre seghe mentali
2024 The Trainers
2024 Vanished into the Night
2025 Mani nude
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.