A work in constant progress (and occasional regress).
Release Date:
July 16, 2019
Original Title:
Amor Sacro
Genres:
Crime | Drama | Horror | Mystery | Thriller
Production Companies:
Cineama
Fondazione Latina Film Commission
Home Movies
Mescalito Film
MiC
Pyramid Factory
Regione Lazio
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 140
Innocenzo is a 39 years old cistercenses monk, ceramist and singer for the abbey he lives in, but new obligations arise as the parson of the village is transfered. He finds himself face to face with the complexity of community life and starts to question his identity as a person and man of faith.
Assistant Costume Designer:
Noemi Diana
Assistant Editor:
Francesco Romano
Boom Operator:
Fabio Sabatini
Cinematography:
Rocco Marra
Colorist:
Andrea Gagliardi
Commissioning Editor:
Rino Piccolo
Costume Design:
Camilla Giuliani
Director:
Marco Zarrelli
Editor:
Alessandro Giordani
Electrician:
Federico Sardini
Executive Producer:
Giorgio Beltrame
First Assistant Director:
Fabrizio Procaccini
Focus Puller:
Gianni Chiarini
Gaffer:
Massimiliano Sardini
Key Grip:
Lorenzo Sardini
Location Manager:
Enrico de Divitiis
Music:
Massimo Filippini
Payroll Accountant:
Francesca Scutti
Producer:
Giorgio Beltrame
Production Assistant:
Simone Albano
Production Design:
Roberto Papi
Production Manager:
Filippo Baldasso
Recording Supervision:
Gianfranco Tortora
Massimo Filippini
Screenplay:
Marco Zarrelli
Second Assistant Camera:
Raffaele Cirillo
Set Dresser:
Maurizio Carraro
Sound:
Marco Saveriano
Sound Designer:
Matteo Botticelli
Sound Editor:
Massimo Filippini
Sound Mixer:
Paolo Bietolini
Still Photographer:
Enrico de Divitiis
Story:
Marco Zarrelli
Thanks:
Paolo Fulvio Mazzacane
Unit Manager:
Lorenzo Vandini
Writer:
Marco Zarrelli
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.