A work in constant progress (and occasional regress).
Alias:
Griff
Marc Griff
Marc Griff Griffith
Marc Griffith
Mark 'Griff' Griffith
Mark Griff
Mark Griff Griffith
Марк Гриффит
As a veteran finish colorist in post-production, his aesthetics and appreciation of the cinematographer's craft have allowed him to collaborate with filmmakers such as James Wan on "Aquaman" and "The Conjuring" universe of films. Those experiences on new films also honed his eye for color and expertise, entrusting him with historically vital restorations including "My Fair Lady", "The Sound of Music" and "Oklahoma", to name a few. Originally from Chicago, he moved to Toronto and sharpened his skills on look-driven, high-end auto, fashion, food, and sports campaigns, often heavy with multi-layered VFX. His success as a top commercial colorist in Toronto for broadcast television advertising led him to Los Angeles where he flourished in all aspects of color correction; from award-winning commercials to trailers, episodic television and feature films.
Color Timer:
2001 Bleacher Bums
Colorist:
2001 Bleacher Bums
2007 Shrek the Halls
Digital Intermediate:
2001 Bleacher Bums
2007 Shrek the Halls
2011 Insidious
2013 The Conjuring
2016 The Duel
2016 Within
2017 Wish Upon
Digital Intermediate Colorist:
1955 Oklahoma!
1965 The Sound of Music
1982 Impressions de France
1997 Mimic
1999 Olympic Glory
2001 Bleacher Bums
2002 Hero
2002 Lewis & Clark: Great Journey West
2004 Saw
2007 Shrek the Halls
2008 Journey to the Center of the Earth
2011 Insidious
2013 Insidious: Chapter 2
2013 The Conjuring
2014 Annabelle
2016 The Conjuring 2
2016 The Duel
2016 Within
2017 Wish Upon
2018 Alex & the List
2018 Den of Thieves
2018 The Nun
2018 The Quinceañera
2019 Annabelle Comes Home
2019 Countdown
Senior Colorist:
1955 Oklahoma!
1965 The Sound of Music
1982 Impressions de France
1997 Mimic
1997 The Garden of Redemption
1999 Olympic Glory
2001 Bleacher Bums
2001 Marilyn Monroe: The Final Days
2002 Hero
2002 Lewis & Clark: Great Journey West
2004 Saw
2007 Shrek the Halls
2008 Journey to the Center of the Earth
2011 Insidious
2013 Insidious: Chapter 2
2013 The Conjuring
2014 Annabelle
2016 The Conjuring 2
2016 The Duel
2016 Within
2017 Wish Upon
2018 Alex & the List
2018 Den of Thieves
2018 The Nun
2018 The Quinceañera
2019 Annabelle Comes Home
2019 Countdown
Senior Digital Intermediate Colorist:
1955 Oklahoma!
1965 The Sound of Music
1982 Impressions de France
1996 Hearst Castle: Building the Dream
1997 Mimic
1997 The Garden of Redemption
1999 Olympic Glory
2001 Bleacher Bums
2001 Marilyn Monroe: The Final Days
2002 Hero
2002 Lewis & Clark: Great Journey West
2004 Saw
2007 Shrek the Halls
2008 Journey to the Center of the Earth
2011 Insidious
2013 Insidious: Chapter 2
2013 The Conjuring
2014 Annabelle
2016 The Conjuring 2
2016 The Duel
2016 Within
2017 Wish Upon
2018 Alex & the List
2018 Den of Thieves
2018 Sierra Burgess Is a Loser
2018 The Nun
2018 The Quinceañera
2019 Annabelle Comes Home
2019 Countdown
2022 Last Seen Alive
Additional Editor:
2006 The Real Housewives of Orange County
Colorist:
1997 The Living Edens
2006 The Real Housewives of Orange County
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.