Home

Annabelle Comes Home (2019) [R]

Release Date:
June 26, 2019

Original Title:
Annabelle Comes Home

Alternate Titles:
Annabelle 3 - De Volta Para Casa
Annabelle 3 - La maison du Mal
Annabelle 3 : La maison du mal
Annabelle 3 : Retour à la maison
Annabelle 3: Ác Quỷ Trở Về
Annabelle III: Comes Home (2019)
Annabelle: 3 - Vuelve a Casa
Анабель приходить додому
Аннабель 3
Проклятие Аннабель: Возвращение домой
אנבל 3: חוזרת הביתה
ანაბელის წყევლა 3
安娜贝尔3:回家
애나벨 3

Genres:
Horror

Production Companies:
Atomic Monster
New Line Cinema
The Safran Company

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  CZ: 18+  DE: 16  DK: 15  ES: 16  FI: K-16  FR: 12  GB: 15  HK: IIB  HU: 18  IE: 15  IL: 14  KR: 15  MX: B-15  NL: 16  NO: 15  PL: 18  PT: M/16  RO: 15  RU: 18+  SE: 15  SG: PG13  SK: 15  TH: 13  TR: 15+  US: R 

Runtime: 106

Possess them all.

Overview from TheMovieDB

Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens' ten-year-old daughter, Judy, and her friends.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
BJ McDonnell

"B" Camera Operator:
Craig Bauer

ADR Mixer:
Thomas J. O'Connell

Additional Editor:
Liz Calandrello

Animation Coordinator:
Carmelo Leggiero

Art Direction:
A. Todd Holland

Assistant Accountant:
Jennifer Lobban

Assistant Chief Lighting Technician:
Nathan Dean Fetzer

Assistant Costume Designer:
Malia Miyashiro

Assistant Location Manager:
Sherry Roldan

Assistant Sound Editor:
Linda Yeaney

Boom Operator:
Dennis Fuller

Casting Assistant:
Kimberly Aguilar

Casting Associate:
Coco Kleppinger

Casting Director:
Rich Delia

Characters:
Gary Dauberman

Chief Lighting Technician:
Nicholas Kaat

Compositor:
Bill Gilman

Construction Coordinator:
Randy Syracuse

Costume Design:
Leah Butler

Costume Supervisor:
Susan L. Bertram
Kate Swartz

Craft Service:
Laura Bagano

Dialogue Editor:
Albert Gasser

Digital Imaging Technician:
Dane Brehm

Digital Intermediate Colorist:
Mark Griffith

Digital Intermediate Editor:
Bob Fredrickson

Digital Intermediate Producer:
Angelique Perez
Pamela Scott-Farr

Director:
Gary Dauberman

Director of Photography:
Michael Burgess

Editor:
Kirk M. Morri

Executive Producer:
Richard Brener
Dave Neustadter
Victoria Palmeri
Michael Clear
Michelle Morrissey
Judson Scott

Executive Producer's Assistant:
Alayna Glasthal

First Assistant "A" Camera:
Steven Cueva

First Assistant "B" Camera:
Haydn Pazanti

First Assistant Accountant:
Ian Crockett

First Assistant Director:
Jeffrey Wetzel

First Assistant Editor:
Stuart Sperling

Foley Artist:
Mike Horton
Tim McKeown

Foley Mixer:
Walter Spencer

Greensman:
Tony Castagnola

Grip:
Donato Bragagnolo
Amber Maahs

Hair Department Head:
Yeşim "Shimmy" Osman
Tijen Osman

Key Grip:
Pat O'Mara

Key Makeup Artist:
Mara Rouse

Key Rigging Grip:
Larry Edwards

Key Set Production Assistant:
Dominic Pacitti

Lighting Technician:
James Plaxton

Location Manager:
Ralph B. Meyer

Makeup Department Head:
Justin Raleigh
Eleanor Sabaduquia

Music Editor:
Julie Pearce
Joe E. Rand
Stephen Perone

On Set Dresser:
Daniel Waldstein

Original Music Composer:
Joseph Bishara

Payroll Accountant:
John Montgomery

Producer:
James Wan
Peter Safran

Production Accountant:
Timber Kislan

Production Design:
Jennifer Spence

Property Master:
Thomas Spence

Prosthetics Sculptor:
Kodai Yoshizawa

Rigging Gaffer:
Paul Avery

Screenplay:
Gary Dauberman

Script Supervisor:
Jody Blose

Second Assistant "A" Camera:
Jozo Zovko

Second Assistant Director:
Joann Connolly

Second Second Assistant Director:
David Marnell

Set Costumer:
Atara Glazer
Carly J. Mills

Set Decoration:
Lisa Son

Set Designer:
Al Hobbs

Sound Designer:
Aaron Glascock
Mitch Osias

Sound Effects Editor:
Albert Gasser
Mitch Osias

Sound Mixer:
Robert Sharman

Sound Re-Recording Mixer:
Tim LeBlanc
Aaron Glascock

Sound Supervisor:
Aaron Glascock

Special Effects:
Eric Rylander

Special Effects Coordinator:
Mark Hawker

Special Effects Key Makeup Artist:
Melanie Deforrest

Special Effects Makeup Artist:
Chris Hampton
Rob Hinderstein
Ralis Kahn
Jacob Roanhaus

Still Photographer:
Justin M. Lubin

Story:
James Wan
Gary Dauberman

Studio Teacher:
Daniel Benjamin

Stunt Coordinator:
Mark Norby

Stunt Double:
Kelli Barksdale
Emily Brobst
Sarah Reagin Clemmensen
Nicole Marines

Stunts:
Allison Caetano
Wyatt Carnel
Brian Duffy
Jef Groff
Sierra Heuermann
Ashley Rae Trisler
Brady Romberg
Miluette Nalin
Claudette James

Supervising ADR Editor:
Robert Jackson

Transportation Captain:
Casey Boden

Unit Production Manager:
Leigh Shanta

Unit Publicist:
James Ferrera

VFX Production Coordinator:
Wes Palmer

Visual Effects:
Greg Dora
Joe Howes

Visual Effects Coordinator:
Arthur J. Codron

Visual Effects Editor:
Steve Miller

Visual Effects Producer:
Jacob Eaton

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.