A work in constant progress (and occasional regress).
Xavier Sirven is a French film editor, writer and director.
Cinematography:
2019 I See Red People
Director:
2016 Not K.O.
2019 I See Red People
Editor:
2008 La chaleur des autres ne réchauffe pas
2012 Round Trip
2014 The Bridges of Sarajevo
2016 Not K.O.
2016 Struggle for Life
2017 Diquà Dai Monti: Where the Mountains Begin
2017 Rase campagne
2018 Return to Bollene
2019 Building of the Braves
2019 Camille
2019 I See Red People
2020 The Departure
2021 Bachelorette Party
2022 Soy Libre
2022 Thunder
2022 We, Students!
2023 Father & Soldier
2024 Salem
2024 Souleymane’s Story
Sound Editor:
2008 La chaleur des autres ne réchauffe pas
2012 Round Trip
2014 The Bridges of Sarajevo
2016 Not K.O.
2016 Struggle for Life
2017 Diquà Dai Monti: Where the Mountains Begin
2017 Rase campagne
2018 Return to Bollene
2019 Building of the Braves
2019 Camille
2019 I See Red People
2020 The Departure
2021 Bachelorette Party
2022 Soy Libre
2022 Thunder
2022 We, Students!
2023 Father & Soldier
2024 Salem
2024 Souleymane’s Story
Writer:
2008 La chaleur des autres ne réchauffe pas
2012 Round Trip
2014 The Bridges of Sarajevo
2016 Not K.O.
2016 Struggle for Life
2017 Diquà Dai Monti: Where the Mountains Begin
2017 Rase campagne
2018 Return to Bollene
2019 Building of the Braves
2019 Camille
2019 I See Red People
2020 The Departure
2021 Bachelorette Party
2022 Soy Libre
2022 Thunder
2022 We, Students!
2023 Father & Soldier
2024 Salem
2024 Souleymane’s Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.