A work in constant progress (and occasional regress).
Release Date:
May 29, 2024
Original Title:
Salem
Genres:
Drama | Fantasy | Romance
Production Companies:
France 2 Cinéma
UNITÉ
Vatos Locos Productions
Production Countries:
France
Ratings / Certifications:
NL: 16
Runtime: 118
14-year-old Grasshoppers gang member Djibril leads a dangerous existence in a Marseille slum, along with his pregnant girlfriend Camilla who belongs to a rival gang, the Crickets. When Djibril is manipulated into killing the young Cricket Mahad, war breaks out. Djibril is haunted by the curse Mahad spat out as he lay dying, and begins to communicate with the spirit world. Convinced that global apocalypse is imminent, he embarks on a crazy plan to flee with Camilla and their unborn child – the only one capable of saving them all from Mahad’s malediction. But the law catches up with him. Now, after 12 years in prison and a secure psychiatric unit, Djibril will do whatever it takes to find his daughter and convince her to fulfil his prophecy.
"B" Camera Operator:
Mathieu Bertholet
Assistant Camera:
Josue Daniel Acuña
Lou Guellier
Associate Producer:
Caroline Nataf
Co-Producer:
Marine Bergere
Romain Daubeach
Costume Design:
Caroline Spieth
Costumer:
Charlotte Vaysse
Data Management Technician:
Clara Leboucher
Director:
Jean-Bernard Marlin
Director of Photography:
Jonathan Ricquebourg
Editor:
Nicolas Desmaison
Géraldine Mangenot
Xavier Sirven
Electrician:
Richard Alexandre
Guillaume Barbe
Olivier Nedelcu
First Assistant "B" Camera:
Adrien Levy-Caries
First Assistant Camera:
Ronan Boudier
Gaffer:
Stéphane Assié
Grip:
Clement Clop
Key Grip:
Brice Pillot
Music Supervisor:
Pascal Mayer
Producer:
Thomas Morvan
Bruno Nahon
Production Design:
Laurie Colson
Property Master:
Benjamin Evrard
Screenplay:
Jean-Bernard Marlin
Script Supervisor:
Julie Darfeuil
Second Assistant Camera:
Adrien Levy-Caries
Sound:
Cédric Deloche
Storyboard Artist:
Loïc Fontimpe
Stunt Coordinator:
David Genty
Stunts:
Matthieu Boulanger
Visual Effects Supervisor:
Sébastien Rame
Wardrobe Coordinator:
Mathilde Le Brun
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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