A work in constant progress (and occasional regress).
Alias:
Jack Finlay
Sound Editor:
1964 The Lucille Ball Comedy Hour
1970 Darker Than Amber
1980 M Station: Hawaii
1980 The Big Red One
1982 A Woman Called Golda
Sound Effects Editor:
1964 The Lucille Ball Comedy Hour
1970 Darker Than Amber
1972 Prime Cut
1980 M Station: Hawaii
1980 The Big Red One
1982 A Woman Called Golda
Supervising Sound Editor:
1964 The Lucille Ball Comedy Hour
1970 A Man Called Horse
1970 Darker Than Amber
1971 Le Mans
1971 Something Big
1971 The Christian Licorice Store
1972 Prime Cut
1980 M Station: Hawaii
1980 The Big Red One
1982 A Woman Called Golda
Supervising Sound Effects Editor:
1964 The Lucille Ball Comedy Hour
1970 A Man Called Horse
1970 Darker Than Amber
1971 Le Mans
1971 Something Big
1971 The Christian Licorice Store
1972 Prime Cut
1980 M Station: Hawaii
1980 The Big Red One
1982 A Woman Called Golda
1985 Murphy's Romance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.