A work in constant progress (and occasional regress).
Release Date:
January 22, 1980
Original Title:
The Big Red One
Alternate Titles:
A nagy vörös egyes
Au-delà de la gloire
Más allá de la gloria
The Big Red One: The Reconstruction
Uno rojo división de choque
Velká červená jednička
Genres:
Drama | War
Production Companies:
Lorimar Productions
United Artists
Production Countries:
Ireland | United States of America
Ratings / Certifications:
AR: 18 AU: M BE: 12 BR: 16 CA: 14A CZ: 18+ DE: 16 FI: K-16 FR: TP GB: 15 NL: 12 SE: 15 US: PG|R
Runtime: 113
A veteran sergeant of World War I leads a squad in World War II, always in the company of the survivor Pvt. Griff, the writer Pvt. Zab, the Sicilian Pvt. Vinci and Pvt. Johnson, in Vichy French Africa, Sicily, D-Day at Omaha Beach, Belgium and France, and ending in a concentration camp in Czechoslovakia where they face the true horror of war.
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Art Direction:
Peter Jamison
Assistant Director:
Arne Schmidt
Assistant Editor:
Erica Flaum
Casting:
Barbara Miller
Director:
Samuel Fuller
Director of Photography:
Adam Greenberg
Editor:
Morton Tubor
Key Grip:
Jim Dunn
Makeup & Hair:
Blanche Shuler
Music Editor:
Gene Feldman
Music Supervisor:
Bodie Chandler
Original Music Composer:
Dana Kaproff
Producer:
Gene Corman
Production Manager:
Roni Ya'ackov
Property Master:
William Hankins
Props:
Ladislav Wilheim
Script Supervisor:
Lynn A. Aber
Second Assistant Director:
Todd Corman
Avner Orshalimy
Leo Zisman
Second Second Assistant Director:
Gary Zembow
Second Unit Director:
Lewis Teague
Monte Hellman
Sound Editor:
Jack A. Finlay
Sound Mixer:
Cyril Collick
Sound Re-Recording Mixer:
William L. McCaughey
Robert L. Harman
David Dockendorf
Special Effects:
Kit West
Peter Dawson
Jeff Clifford
Still Photographer:
Laurel Moore
Supervising Editor:
David Bretherton
Unit Production Manager:
Peter Cornberg
Unit Publicist:
Vic Heutschy
Writer:
Samuel Fuller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.