A work in constant progress (and occasional regress).
Camera Operator:
2018 Rich Piana Chronicles
2018 The Fare
Cinematography:
2018 Rich Piana Chronicles
2018 The Fare
2022 Forever Mine
2023 One Date
Director of Photography:
2016 Night Light
2018 Damage Control
2018 Rich Piana Chronicles
2018 The Fare
2022 Forever Mine
2023 One Date
Dolly Grip:
2012 Iceberg
2016 Night Light
2018 Damage Control
2018 Rich Piana Chronicles
2018 The Fare
2022 Forever Mine
2023 One Date
First Assistant Camera:
2012 Iceberg
2015 The Answer
2016 Night Light
2018 Damage Control
2018 Rich Piana Chronicles
2018 The Fare
2022 Forever Mine
2023 One Date
Gaffer:
2012 Iceberg
2015 The Answer
2016 Night Light
2018 Damage Control
2018 Rich Piana Chronicles
2018 The Fare
2019 Together
2022 Forever Mine
2023 One Date
???? Alice and the Little Green Men
Assistant Camera:
2023 100 Years of Warner Bros.
2023 Superpowered: The DC Story
2024 Turning Point: The Bomb and the Cold War
Camera Operator:
2010 Epic Rap Battles of History
2023 100 Years of Warner Bros.
2023 Superpowered: The DC Story
2024 Turning Point: The Bomb and the Cold War
Digital Imaging Technician:
2010 Epic Rap Battles of History
2023 100 Years of Warner Bros.
2023 Superpowered: The DC Story
2024 Turning Point: The Bomb and the Cold War
Electrician:
2010 Epic Rap Battles of History
2023 100 Years of Warner Bros.
2023 Superpowered: The DC Story
2024 Turning Point: The Bomb and the Cold War
Gaffer:
2010 Epic Rap Battles of History
2023 100 Years of Warner Bros.
2023 Superpowered: The DC Story
2024 Turning Point: The Bomb and the Cold War
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.