A work in constant progress (and occasional regress).
Release Date:
November 19, 2018
Original Title:
The Fare
Genres:
Mystery | Science Fiction | Thriller
Production Companies:
501 Pictures
Devilworks
Dread
Grady Film
Public Displays of Affection
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 KR: 15세 이상 관람가 US: NR
Runtime: 82
Harris and Penny, a cab driver and his fare, engage in flirtatious banter during their brief ride on a desolate road…until Penny abruptly vanishes from the back seat, leaving Harris mystified.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Camera:
Peter Schmidt
Additional Visual Effects:
Morgan Mead
Best Boy Electric:
Ryan Figueroa
Best Boy Grip:
Stephen Ji
Camera Operator:
Andy Chinn
Chief Lighting Technician:
Paul Samaniego
Cinematography:
Josh Harrison
Co-Producer:
David Midell
Colorist:
Borna Jafari
Dialogue Editor:
Borja Sau Razquin
Director:
D.C. Hamilton
Editor:
D.C. Hamilton
Epk Camera Operator:
Nina Duncan
First Assistant "A" Camera:
Summer Marsh
First Assistant "B" Camera:
Scott Birnkrant
Grip:
Charles Cartwright
Key Grip:
Barham Lashley
Location Manager:
Roberto Guevara
Original Music Composer:
Torin Borrowdale
Producer:
D.C. Hamilton
Brinna Kelly
Gino Anthony Pesi
Kristin Starns
Second Assistant Camera:
Joshua D.W. Smith
Sound Designer:
Scott A. Jennings
Sound Mixer:
Steve Blazewick
Still Photographer:
Jenna Hagel
Thanks:
Jean Nakahara
Lina Suh
Winship Cook
Michael Stratigakis
Jan S. Utstein
Christopher Cass
Mark Bartosik
Sarah Nezamzadeh
Transportation Coordinator:
Tony Scaletta
Visual Effects:
D.C. Hamilton
Writer:
Brinna Kelly
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.