A work in constant progress (and occasional regress).
Marco Amaral is a colorist based in Lisbon, who has been working in feature, short, and documentary films.
Color Designer:
2013 Bué Sabi
2015 Wake Up, Leviathan
Color Grading:
2013 Bué Sabi
2015 Gypsophila
2015 Wake Up, Leviathan
2019 Ela é uma Música
2023 Dry Ground Burning
Colorist:
1997 This Is My Home
2011 Zoo
2012 Soil
2013 Bué Sabi
2013 First Light
2013 Lura
2014 Dreamocracy
2014 Vida Activa
2015 Codename: Angola
2015 Gypsophila
2015 Here in Lisbon
2015 Wake Up, Leviathan
2016 An Aviation Field
2017 Ferro Sangue
2017 Field Notes
2017 Ico
2017 Uproar, Eclipse
2017 Zeus
2018 Sousa Martins
2018 The Sound of Masks
2018 Until Porn Do Us Part
2019 Ela é uma Música
2019 Serpentarius
2020 Dehesa: The Forest of the Iberian Lynx
2020 Pas de Quoi
2020 The Last Bath
2020 Zé Pedro Rock ‘n’ Roll
2023 Bela America
2023 Dry Ground Burning
2023 Tommy Guns
2024 O Teu Rosto Será o Último
Director:
1997 This Is My Home
2011 Zoo
2012 Soil
2013 Bué Sabi
2013 First Light
2013 Lura
2014 Autumn
2014 Dreamocracy
2014 Vida Activa
2015 Codename: Angola
2015 Gypsophila
2015 Here in Lisbon
2015 Wake Up, Leviathan
2016 An Aviation Field
2017 Ferro Sangue
2017 Field Notes
2017 Ico
2017 Uproar, Eclipse
2017 Zeus
2018 3 Anos Depois
2018 Sousa Martins
2018 The Sound of Masks
2018 Until Porn Do Us Part
2019 Ela é uma Música
2019 Serpentarius
2020 Dehesa: The Forest of the Iberian Lynx
2020 Pas de Quoi
2020 The Last Bath
2020 Zé Pedro Rock ‘n’ Roll
2023 Bela America
2023 Dry Ground Burning
2023 Tommy Guns
2024 O Teu Rosto Será o Último
Editor:
1997 This Is My Home
2011 Zoo
2012 Soil
2013 Bué Sabi
2013 First Light
2013 Lura
2014 Autumn
2014 Dreamocracy
2014 Vida Activa
2015 Codename: Angola
2015 Gypsophila
2015 Here in Lisbon
2015 Wake Up, Leviathan
2016 An Aviation Field
2017 Ferro Sangue
2017 Field Notes
2017 Ico
2017 Uproar, Eclipse
2017 Zeus
2018 3 Anos Depois
2018 Sousa Martins
2018 The Sound of Masks
2018 Until Porn Do Us Part
2019 Ela é uma Música
2019 Serpentarius
2020 Dehesa: The Forest of the Iberian Lynx
2020 Pas de Quoi
2020 The Last Bath
2020 Zé Pedro Rock ‘n’ Roll
2023 Bela America
2023 Dry Ground Burning
2023 Tommy Guns
2024 O Teu Rosto Será o Último
Screenplay:
1997 This Is My Home
2011 Zoo
2012 Soil
2013 Bué Sabi
2013 First Light
2013 Lura
2014 Autumn
2014 Dreamocracy
2014 Vida Activa
2015 Codename: Angola
2015 Gypsophila
2015 Here in Lisbon
2015 Wake Up, Leviathan
2016 An Aviation Field
2017 Ferro Sangue
2017 Field Notes
2017 Ico
2017 Uproar, Eclipse
2017 Zeus
2018 3 Anos Depois
2018 Sousa Martins
2018 The Sound of Masks
2018 Until Porn Do Us Part
2019 Ela é uma Música
2019 Serpentarius
2020 Dehesa: The Forest of the Iberian Lynx
2020 Pas de Quoi
2020 The Last Bath
2020 Zé Pedro Rock ‘n’ Roll
2023 Bela America
2023 Dry Ground Burning
2023 Tommy Guns
2024 O Teu Rosto Será o Último
Colorist:
2023 Emília
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.