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Until Porn Do Us Part (2018) [N/A]

Release Date:
April 15, 2018

Original Title:
Até que o Porno Nos Separe

Alternate Titles:
Até Que o Porno Nos Separe

Genres:
Documentary

Production Companies:
Até ao Fim do Mundo

Production Countries:
Portugal

Ratings / Certifications:
 N/A

Runtime: 90

AN EMOTIONAL JOURNEY OF A MOTHER SEEKING TO GET CLOSER TO HER SON

Overview from TheMovieDB

Eulália, a conservative Portuguese mother, found out that her son who emigrated to Germany has become Fostter Riviera, the internationally awarded first Portuguese gay porn actor. She suffers with the distance, sometimes toned down through the computer that has become her main source of information and communication with her son. This documentary focuses on the long journey of this mother towards acceptance and endeavour to get closer to her son.

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Performers

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Production

Cinematography:
Jorge Pelicano

Colorist:
Marco Amaral

Director:
Jorge Pelicano

Director of Photography:
Jorge Pelicano

Editor:
Inês Rueff
Jorge Pelicano

Executive Producer:
Pedro Sousa
Ricardo Freitas

Producer:
Irina Calado

Production Manager:
Rosa Silva

Sound:
Pedro Carvalho

Sound Director:
Inês Rueff

Sound Editor:
Elvis Veiguinha

Sound Mixer:
Elvis Veiguinha

Writer:
Helena Lins
Rosa Teixeira da Silva

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.