A work in constant progress (and occasional regress).
Assistant Camera:
1960 Messalina
1962 Caesar The Conqueror
1965 Run for Your Wife
Camera Operator:
1960 Messalina
1962 Caesar The Conqueror
1964 Hercules Against the Sons of the Sun
1964 Per una valigia piena di donne
1965 Run for Your Wife
1966 Ringo, the Mark of Vengeance
1966 The Wedding March
1967 Io non protesto, io amo
1967 More Than a Miracle
1968 Listen, Let's Make Love
1969 The Damned
1969 Unknown Woman
1970 Many Wars Ago...
1971 The Automobile
1971 The Story of Romance and Knife
1972 The Mattei Affair
1973 Lucky Luciano
1974 Conversation Piece
1975 Midnight Pleasures
1976 Illustrious Corpses
1976 The Innocent
1977 Here We for Example...
1977 Nenè
1979 Christ Stopped at Eboli
1979 Liquirizia
1980 The Terrace
1981 Three Brothers
1985 The Repenter
1987 Blue Tango
1987 Ternosecco
1987 Us Real Men, We Hard Men
First Assistant Camera:
1960 Messalina
1962 Caesar The Conqueror
1964 Hercules Against the Sons of the Sun
1964 Per una valigia piena di donne
1965 Run for Your Wife
1966 Ringo, the Mark of Vengeance
1966 The Wedding March
1967 Io non protesto, io amo
1967 More Than a Miracle
1968 Listen, Let's Make Love
1969 The Damned
1969 Unknown Woman
1970 Many Wars Ago...
1971 Death in Venice
1971 The Automobile
1971 The Story of Romance and Knife
1972 The Mattei Affair
1973 Lucky Luciano
1974 Conversation Piece
1975 Midnight Pleasures
1976 Illustrious Corpses
1976 The Innocent
1977 Here We for Example...
1977 Nenè
1979 Christ Stopped at Eboli
1979 Liquirizia
1980 The Terrace
1981 Three Brothers
1985 The Repenter
1987 Blue Tango
1987 Ternosecco
1987 Us Real Men, We Hard Men
Camera Operator:
1982 Marco Polo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.