A work in constant progress (and occasional regress).
Release Date:
February 23, 1979
Original Title:
Cristo si è fermato a Eboli
Alternate Titles:
Le Christ s'est arrêté à Eboli
Genres:
Drama
Production Companies:
Action Films
RAI
Vides Cinematografica
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 220
In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation.
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Accountant:
Antonio Pala
Administration:
Enzo Consolini
Assistant Camera:
Marcello Mastrogirolamo
Roberto Meddi
Adolfo Bartoli
Assistant Costume Designer:
Giovanni Viti
Assistant Editor:
Antonio Di Lorenzo
Lea Mazzocchi
Boom Operator:
Giuseppe Muratori
Camera Operator:
Mario Cimini
Conductor:
Piero Piccioni
Gianfranco Plenizio
Costume Design:
Enrico Sabbatini
Director:
Francesco Rosi
Director of Photography:
Pasqualino De Santis
Editor:
Ruggero Mastroianni
First Assistant Director:
Gianni Arduini
Gaffer:
Luciano Leoni
Hairstylist:
Adalgisa Favella
Key Grip:
Aldo Colanzi
Makeup Artist:
Franco Freda
Novel:
Carlo Levi
Orchestrator:
Piero Piccioni
Original Music Composer:
Piero Piccioni
Painter:
Oreste Quercioli
Producer:
Franco Cristaldi
Nicola Carraro
Production Design:
Andrea Crisanti
Production Manager:
Alessandro von Norman
Production Secretary:
Lynn Kamern
Lorenzo Errico
Massimo Cristaldi
Production Supervisor:
Franco Ballati
Property Master:
Benito Leonardi
Props:
Alberto Michettoni
Screenplay:
Tonino Guerra
Francesco Rosi
Raffaele La Capria
Script Supervisor:
Franca Invernizzi
Sound:
Mario Bramonti
Sound Effects:
Renato Marinelli
Sound Mixer:
Gianni D'Amico
Still Photographer:
Sergio Strizzi
Tailor:
Anna Orazi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.