A work in constant progress (and occasional regress).
Born in Singapore, Jon is a Los Angeles based cinematographer and alumni of the American Film Institute Conservatory. Shooting across the USA and Asia, his films have traveled widely across the festival circuit, including major festivals such as Cannes, Sundance, Locarno and Tribeca. A narrative-focused cinematographer, Jon believes in crafting a unique visual language for each film he works on.
Associate Producer:
2021 Koreatown Ghost Story
Camera Operator:
2011 Dear Friend
2021 Koreatown Ghost Story
Cinematography:
2011 Dear Friend
2021 Koreatown Ghost Story
2022 Aunt Lotus & Her Dream Bicycle
2024 All That We Love
2025 Audrey's Children
Director of Photography:
2011 Dear Friend
2016 Fata Morgana
2017 Cocoon
2017 Pineapple
2017 The Suitcase
2019 Before You Know It
2019 Burn
2019 Revenge of the Pontianak
2019 The Avocado
2020 Little Big Women
2021 Koreatown Ghost Story
2022 Aunt Lotus & Her Dream Bicycle
2022 Life For Sale
2023 A Tourist's Guide to Love
2023 Pinball: The Man Who Saved the Game
2024 All That We Love
2025 Audrey's Children
???? The Saviors
First Assistant "A" Camera:
2011 Dear Friend
2016 Fata Morgana
2016 The Secret of Joy
2017 Cocoon
2017 Pineapple
2017 The Suitcase
2019 Before You Know It
2019 Burn
2019 Revenge of the Pontianak
2019 The Avocado
2020 Little Big Women
2021 Koreatown Ghost Story
2022 Aunt Lotus & Her Dream Bicycle
2022 Life For Sale
2023 A Tourist's Guide to Love
2023 Pinball: The Man Who Saved the Game
2024 All That We Love
2025 Audrey's Children
???? The Saviors
First Assistant Camera:
2011 Dear Friend
2015 Hidden
2016 Fata Morgana
2016 The Secret of Joy
2017 Cocoon
2017 Pineapple
2017 The Suitcase
2019 Before You Know It
2019 Burn
2019 Revenge of the Pontianak
2019 The Avocado
2020 Little Big Women
2021 Koreatown Ghost Story
2022 Aunt Lotus & Her Dream Bicycle
2022 Life For Sale
2023 A Tourist's Guide to Love
2023 Pinball: The Man Who Saved the Game
2024 All That We Love
2025 Audrey's Children
???? The Saviors
Gaffer:
2011 Dear Friend
2015 Hidden
2015 Sizzle
2016 Fata Morgana
2016 The Secret of Joy
2017 Cocoon
2017 Pineapple
2017 The Suitcase
2019 Before You Know It
2019 Burn
2019 Revenge of the Pontianak
2019 The Avocado
2020 Little Big Women
2021 Koreatown Ghost Story
2022 Aunt Lotus & Her Dream Bicycle
2022 Life For Sale
2023 A Tourist's Guide to Love
2023 Pinball: The Man Who Saved the Game
2024 All That We Love
2025 Audrey's Children
???? The Saviors
Screenplay:
2011 Dear Friend
2015 Hidden
2015 Sizzle
2016 Fata Morgana
2016 The Secret of Joy
2017 Cocoon
2017 Pineapple
2017 The Suitcase
2019 Before You Know It
2019 Burn
2019 Revenge of the Pontianak
2019 The Avocado
2020 Little Big Women
2021 Koreatown Ghost Story
2022 Aunt Lotus & Her Dream Bicycle
2022 Life For Sale
2023 A Tourist's Guide to Love
2023 Pinball: The Man Who Saved the Game
2024 All That We Love
2025 Audrey's Children
???? The Saviors
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.