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The Secret of Joy (2016) [N/A]

Release Date:
April 1, 2016

Original Title:
The Secret of Joy

Genres:
Fantasy

Ratings / Certifications:
 N/A

Runtime: 15

Overview from TheMovieDB

A girl's dream in King Arthur's world, a land populated by valiant knights, beautiful fairies, little elves and monsters to be defeated. A world of beauty only a child can imagine; a tale that enchants the viewers.

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Additional information:

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Performers

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Production

3D Artist:
Ines Muralles

Additional Gaffer:
Colin Oh

Additional Second Assistant Camera:
Liz Ehlers

Assistant Costume Designer:
Aracely Garcia
Chiara Crisolini Malatesta
Emilio Ortu Lieto

Associate Producer:
Valentina Martelli
Carlos Antonio León
Arne List
María Elena Infantino
Erika Bowinkel

Attorney:
Ferreria David

BTS Footage:
Luca Severi

Best Boy Grip:
Nick Matthews

Camera Operator:
Damian Church

Co-Executive Producer:
Maria Luisa Di Lonardo

Co-Producer:
Mike Rizzuto
Edoardo Di Silvestri
Peter Odio
Peter A. Teale
Luca Severi

Colorist:
Nicholas Hasson

Compositing Supervisor:
Guillaume Lebourg

Compositor:
Ana Carolina Escobar

Costume Assistant:
Eloisa Libutti

Costume Design:
Andrea Sorrentino

Costumer:
Jacqueline Henriquez
Blake Patterson
Chris Warren

Decorator:
Martina Catelli
Clara Abbruzzese
Gvantza Zakalashvili

Digital Imaging Technician:
Kate Steinhebel

Digital Intermediate Producer:
Ray Horta

Director:
Max Bartoli

Director of Photography:
Halyna Hutchins

Editor:
Fernando Salazar
Max Bartoli

Electrician:
Steve Carter
Michael Schmidt
Yan Ramos
Joseph M. Schmitz
Silas Robinson

Executive Producer:
Tori London

First Assistant "A" Camera:
Jon Keng

First Assistant "B" Camera:
Ted von Bevern

First Assistant Camera:
Michaela Angelique

First Assistant Director:
William Lambe

Foley Artist:
Zane D. Bruce
Lindsay Pepper

Foley Editor:
Antony Zeller

Gaffer:
Vadim Aynbinder

Graphic Designer:
Mauro Scaramella

Grip:
Greg Loebell
Uri Brito
James Sowka

Hair Designer:
Andrea Sorrentino

Jimmy Jib Operator:
Shawn Cherony

Key Grip:
Zander Kroon

Key Hair Stylist:
Stacy Bisel
Danielle Rotella
Kimberly Distel

Key Makeup Artist:
Alice Circi
Haley Coats

Legal Services:
Bianca Bezdek-Goodloe

Line Producer:
Olia Oparina

Lyricist:
Andrew Whelan

Makeup Artist:
Nickolas Szostkowski
Carlo Capezzera
Hannah Reed
Pauline Hacopian
Jennifer Turgeon
Elizabeth Bursick

Makeup Designer:
Andrea Sorrentino

Matte Painter:
Abigail Orellana

Medical Consultant:
Jacob Nathan Rubin

Music:
Gianluca Cucchiara

Other:
Carlo Capezzera
Gaia De Laurentis
Laura Fantuzzo
Andrea Iacomino
Laura Mattoccia
Tatiana Di Matteo
Teresa Gasperi
Alessandra Vicini
Max Diliberto
Laura Borowsky
Victor S. Pancerev

Post Production Coordinator:
A.J. Ullman

Producer:
Max Bartoli
Fabiola Bartoli

Production Design:
Giles Masters

Script Supervisor:
Alexandria Kristin Sanders

Second Assistant "A" Camera:
Kate Johnson

Second Assistant "B" Camera:
Emilio Oliveira

Second Assistant Camera:
Scott Sison

Second Second Assistant Director:
Aida Lembo

Second Unit:
Greg Suits
Edward Salerno Jr.

Sound Designer:
Casey Genton

Sound Editor:
Francesco Carrozzo

Sound Effects Editor:
Mitchell Lestner

Sound Engineer:
Pete Orlanski

Sound Mixer:
Craig Mann

Steadicam Operator:
James Goldman

Storyboard Artist:
Antonio De Luca

Systems Administrators & Support:
Trace Bloomer

Thanks:
Valentina Gardani

Visual Effects Art Director:
Carlos Arguello

Visual Effects Producer:
Michelle Eisenreich

Visual Effects Supervisor:
Rebecca Marie

Wardrobe Assistant:
Jose Batista
Sigi Soto
Arthur Pareira

Wardrobe Supervisor:
Alejandro G. Ortega

Writer:
Fabiola Bartoli
Max Bartoli

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.