A work in constant progress (and occasional regress).
Alias:
古屋幸一
Birthplace:
Fukuoka, Fukuoka Prefecture, Japan
Cinematographer. Born 1974.
Additional Camera:
2021 Prisoners of the Ghostland
Cinematography:
2011 Villain
2012 To The Other Side
2017 Happiness
2017 Lear on the Shore
2021 Come and Go
2021 Prisoners of the Ghostland
2022 Ring Wandering
2022 Your Lovely Smile
2023 Mentai Piriri – Flower of Pansy
2024 Belonging
2024 Farewell, Saranghae, Farewell
2024 We Are Aliens
Director of Photography:
2011 Nemosu Idol Sosenkyo Battle
2011 Villain
2012 Cold Bloom
2012 To The Other Side
2013 Strangers When We Meet
2014 Itsukano, Genkantachi to
2016 Dark Side of the Light
2016 Eyes On Me
2017 Happiness
2017 Lear on the Shore
2017 Lovers on Borders
2017 Mr. Long
2019 Three Mornings
2020 Kodou
2020 Rolling Marbles
2021 Come and Go
2021 Prisoners of the Ghostland
2022 Ring Wandering
2022 Your Lovely Smile
2023 LONESOME VACATION
2023 Mentai Piriri – Flower of Pansy
2024 Belonging
2024 Chime
2024 Farewell, Saranghae, Farewell
2024 Or Utopia
2024 The Gesuidouz
2024 We Are Aliens
2025 Brand New Landscape
Sound Recordist:
2011 Nemosu Idol Sosenkyo Battle
2011 Villain
2012 Cold Bloom
2012 To The Other Side
2013 Strangers When We Meet
2014 Itsukano, Genkantachi to
2016 Dark Side of the Light
2016 Eyes On Me
2017 Happiness
2017 Lear on the Shore
2017 Lovers on Borders
2017 Mr. Long
2019 Three Mornings
2020 Kodou
2020 Rolling Marbles
2021 Come and Go
2021 Prisoners of the Ghostland
2022 Ring Wandering
2022 Your Lovely Smile
2023 LONESOME VACATION
2023 Mentai Piriri – Flower of Pansy
2024 Belonging
2024 Chime
2024 Farewell, Saranghae, Farewell
2024 Or Utopia
2024 The Gesuidouz
2024 We Are Aliens
2025 Brand New Landscape
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.