A work in constant progress (and occasional regress).
Release Date:
August 31, 2021
Original Title:
Prisoners of the Ghostland
Alternate Titles:
Prisioneros de la tierra fantasmal
幽靈之國的囚徒
프리즈너스 오브 고스트랜드
Genres:
Action | Fantasy | Horror
Production Companies:
Boos Boos Bang Bang
Eleven Arts Studios
KOMODO PRODUCTIONS
Patriot Pictures
Saturn Films
Sion Production
Union Patriot Capital Management
Untitled Entertainment
XYZ Films
Production Countries:
Japan | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 16 ES: 16 FR: 12 GB: 15 IE: 15 JP: PG12 KR: 15 NL: 16 RU: 18+ SE: 15 SG: NC16 UA: 16+ US: NR
Runtime: 103
In the treacherous frontier city of Samurai Town, a ruthless bank robber is sprung from jail by wealthy warlord The Governor, whose adopted granddaughter Bernice has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within five days, the bandit sets off on a journey to find the young woman—and his own path to redemption.
"B" Camera Operator:
Shigeru Tajima
Additional Camera:
Kôichi Furuya
Assistant Art Director:
Kiyotaka Ohara
Assistant Camera:
Naoki Takahashi
Assistant Editor:
Marcus Heleker
Associate Producer:
Katie Peabody
Lauren Craig
Attorney:
Carissa Knol
Background Designer:
Akito Fujiwara
Ikue Murai
Camera Intern:
Nozomi Suzuki
Casting:
Chelsea Ellis Bloch
Co-Executive Producer:
Mari Matsuda
Yasuo Kawashima
Goichiro Suzuki
Co-Producer:
Shohei Sano
Concept Artist:
Toshiyuki Kimura
Costume Design:
Chieko Matsumoto
Digital Imaging Technician:
Fumiaki Okuma
Digital Intermediate Producer:
Wojtek Janio
Director:
Sion Sono
Director of Photography:
Sohei Tanikawa
Editor:
Taylor Levy
Executive Producer:
Toyoyuki Yokohama
Natalie Perrotta
Yuji Sadai
Nick Spicer
Aram Tertzakian
Finance:
Ryan Webb
First Assistant "A" Camera:
Hiroki Nakajima
First Assistant "B" Camera:
Ryotaro Kawaguchi
Moe Ariizumi
First Assistant Camera:
Yuka Mashiro
First Assistant Director:
Shinya Masuda
Gaffer:
Shunri Rinoie
Key Grip:
Ryusuke Nakamura
Lighting Artist:
Toshiyasu Tsuji
Line Producer:
Tamotsu Kanamori
Brian David Cange
Original Music Composer:
Joseph Trapanese
Post Production Supervisor:
Michelle Sullivan
Producer:
Ko Mori
Laura Rister
Reza Sixo Safai
Nate Bolotin
Michael Mendelsohn
Production Assistant:
Lucas Wallenberg
Production Design:
Toshihiro Isomi
Production Manager:
Yuki Matsumoto
Property Master:
Takuya Nakatsuka
Scenic Artist:
Hiroyuki Hata
Second Assistant "A" Camera:
Takeshi Onoue
Satoshi Takashima
Keisuke Maeda
Second Assistant "B" Camera:
Mahiro Asanuma
Second Assistant Director:
Masaaki Kudo
Kentaro Nishikido
Philip Seeger
Tokuhiro Yasukawa
Senior Colorist:
Gosia Grzyb
Malgorzata Grzyb
Set Dresser:
Nobumasa Ohba
Atsushi Sahara
Sound Mixer:
Hajime Komiya
Noriyoshi Yoshida
Sound Re-Recording Mixer:
Troy Ambroff
Storyboard Artist:
Alex Paillé
Sora Kawai
Visual Effects Coordinator:
Benjamin Mullin
Visual Effects Producer:
Matt Russell
Visual Effects Supervisor:
George Loucas
Writer:
Aaron Hendry
Reza Sixo Safai
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.