A work in constant progress (and occasional regress).
Michael Latham is an accomplished cinematographer known for his work across narrative films, documentaries, and commercials. His portfolio includes a diverse range of projects that showcase his versatility and commitment to visual storytelling. Latham has also lent his talents to various commercial projects, collaborating with brands such as Panera, Samsung, and Vance Joy. His ability to adapt his visual style to different formats and audiences is evident in these works. In 2025, Latham worked on Sally, a documentary about astronaut Sally Ride. The film delves into Ride's personal and professional life, and Latham's cinematography plays a crucial role in blending archival footage with contemporary interviews and reenactments. His approach aimed to complement the existing NASA archives while providing a cohesive visual narrative. Latham's work has been recognized at various film festivals. Notably, his cinematography for The Wolves Always Come At Night was selected for the prestigious Camerimage Festival, highlighting his excellence in visual storytelling.
Additional Camera:
2025 Don't Die: The Man Who Wants to Live Forever
Camera Operator:
2021 Playing with Sharks
2025 Don't Die: The Man Who Wants to Live Forever
Cinematography:
2011 Last Beautiful Friend
2021 Playing with Sharks
2025 Don't Die: The Man Who Wants to Live Forever
Director:
2009 Boxer
2011 Last Beautiful Friend
2021 Playing with Sharks
2025 Don't Die: The Man Who Wants to Live Forever
Director of Photography:
2009 Boxer
2011 Last Beautiful Friend
2013 Tau Seru
2013 Ukraine Is Not a Brothel
2017 Casting JonBenet
2018 Strange Colours
2018 The Crying Wind
2019 Buoyancy
2019 Island of the Hungry Ghosts
2020 Eden Eden Eden
2020 The Assistant
2021 Pelé
2021 Playing with Sharks
2021 Shudder
2021 Streamline
2022 Fire Front
2023 Petrol
2023 The Royal Hotel
2025 Don't Die: The Man Who Wants to Live Forever
2025 Sally
2025 The Wolves Always Come at Night
Producer:
2009 Boxer
2011 Last Beautiful Friend
2013 Tau Seru
2013 Ukraine Is Not a Brothel
2017 Casting JonBenet
2018 Strange Colours
2018 The Crying Wind
2019 Buoyancy
2019 Island of the Hungry Ghosts
2020 Eden Eden Eden
2020 The Assistant
2021 Pelé
2021 Playing with Sharks
2021 Shudder
2021 Streamline
2022 Fire Front
2023 Petrol
2023 The Royal Hotel
2025 Don't Die: The Man Who Wants to Live Forever
2025 Sally
2025 The Wolves Always Come at Night
Writer:
2009 Boxer
2011 Last Beautiful Friend
2013 Tau Seru
2013 Ukraine Is Not a Brothel
2017 Casting JonBenet
2018 Strange Colours
2018 The Crying Wind
2019 Buoyancy
2019 Island of the Hungry Ghosts
2020 Eden Eden Eden
2020 The Assistant
2021 Pelé
2021 Playing with Sharks
2021 Shudder
2021 Streamline
2022 Fire Front
2023 Petrol
2023 The Royal Hotel
2025 Don't Die: The Man Who Wants to Live Forever
2025 Sally
2025 The Wolves Always Come at Night
Director of Photography:
2018 Homecoming Queens
2023 Stolen Youth: Inside the Cult at Sarah Lawrence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.