Michael Latham

Michael Latham is an accomplished cinematographer known for his work across narrative films, documentaries, and commercials. His portfolio includes a diverse range of projects that showcase his versatility and commitment to visual storytelling.  Latham has also lent his talents to various commercial projects, collaborating with brands such as Panera, Samsung, and Vance Joy. His ability to adapt his visual style to different formats and audiences is evident in these works.  In 2025, Latham worked on Sally, a documentary about astronaut Sally Ride. The film delves into Ride's personal and professional life, and Latham's cinematography plays a crucial role in blending archival footage with contemporary interviews and reenactments. His approach aimed to complement the existing NASA archives while providing a cohesive visual narrative.  Latham's work has been recognized at various film festivals. Notably, his cinematography for The Wolves Always Come At Night was selected for the prestigious Camerimage Festival, highlighting his excellence in visual storytelling.

Additional information:

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Additional Camera:
2025  Don't Die: The Man Who Wants to Live Forever

Camera Operator:
2021  Playing with Sharks
2025  Don't Die: The Man Who Wants to Live Forever

Cinematography:
2011  Last Beautiful Friend
2021  Playing with Sharks
2025  Don't Die: The Man Who Wants to Live Forever

Director:
2009  Boxer
2011  Last Beautiful Friend
2021  Playing with Sharks
2025  Don't Die: The Man Who Wants to Live Forever

Director of Photography:
2009  Boxer
2011  Last Beautiful Friend
2013  Tau Seru
2013  Ukraine Is Not a Brothel
2017  Casting JonBenet
2018  Strange Colours
2018  The Crying Wind
2019  Buoyancy
2019  Island of the Hungry Ghosts
2020  Eden Eden Eden
2020  The Assistant
2021  Pelé
2021  Playing with Sharks
2021  Shudder
2021  Streamline
2022  Fire Front
2023  Petrol
2023  The Royal Hotel
2025  Don't Die: The Man Who Wants to Live Forever
2025  Sally
2025  The Wolves Always Come at Night

Producer:
2009  Boxer
2011  Last Beautiful Friend
2013  Tau Seru
2013  Ukraine Is Not a Brothel
2017  Casting JonBenet
2018  Strange Colours
2018  The Crying Wind
2019  Buoyancy
2019  Island of the Hungry Ghosts
2020  Eden Eden Eden
2020  The Assistant
2021  Pelé
2021  Playing with Sharks
2021  Shudder
2021  Streamline
2022  Fire Front
2023  Petrol
2023  The Royal Hotel
2025  Don't Die: The Man Who Wants to Live Forever
2025  Sally
2025  The Wolves Always Come at Night

Writer:
2009  Boxer
2011  Last Beautiful Friend
2013  Tau Seru
2013  Ukraine Is Not a Brothel
2017  Casting JonBenet
2018  Strange Colours
2018  The Crying Wind
2019  Buoyancy
2019  Island of the Hungry Ghosts
2020  Eden Eden Eden
2020  The Assistant
2021  Pelé
2021  Playing with Sharks
2021  Shudder
2021  Streamline
2022  Fire Front
2023  Petrol
2023  The Royal Hotel
2025  Don't Die: The Man Who Wants to Live Forever
2025  Sally
2025  The Wolves Always Come at Night

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.