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Buoyancy (2019) [N/A]

Release Date:
February 8, 2019

Original Title:
Buoyancy

Alternate Titles:
Na powierzchni
苦海浮生

Genres:
Crime | Drama

Production Companies:
Anupheap Production
Causeway Films
Definition Films
Feracious Entertainment
Film Victoria
Screen Australia

Production Countries:
Australia | Cambodia | Thailand

Ratings / Certifications:
BR: 16  JP: R15+  KR: 15세 이상 관람가 

Runtime: 93

The day you lose hope, is the day you will die.

Overview from TheMovieDB

An innocent Cambodian boy is sold to a Thai broker and enslaved on a fishing trawler. As fellow slaves are tortured and murdered around him, he starts to wonder if his only hope of freedom is to become as violent as his captors.

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Trailer

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Performers

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Production

ADR Editor:
Petar Ristić

ADR Recordist:
Watanakit Chakornbundit
Sophaekday Touch
Manasnit Setthawong

Additional Editorial Assistant:
Jana Plumm

Additional Second Assistant Camera:
Ray Chanthou

Aerial Director of Photography:
Matt Chang

Armorer:
Pros Phauk

Art Direction:
Chanry Krauch

Assistant Accountant:
Chansovannary Ros

Assistant Art Director:
Ban Heng

Assistant Camera:
Tran Trung Hau
Phimsornthong Phiphat

Assistant Makeup Artist:
Sovith Son

Associate Producer:
Raweeporn 'Non' Srimonju

Best Boy Electric:
Un Sam Chhorn

Boom Operator:
Sony Morm

Casting:
Raweeporn 'Non' Srimonju
Sam Ath Cheng

Catering:
Yunly Chhe

Co-Producer:
Steven McKinnon

Color Assistant:
Marcus Friedlander

Colorist:
Brett Manson

Compositing Lead:
Julia Egerton

Construction Foreman:
Mengvibol Lak
Sambath Pech
Mach Sdeung

Construction Manager:
Sros Chhe

Costume Assistant:
KeoSotheavy Ouk
Chea Soviton

Costume Coordinator:
Niamh Peren

Costume Supervisor:
Kanhchana Samrith

Costumer:
Salin Kuong

Data Wrangler:
Sophorn Pich

Dialogue Editor:
Sam Petty

Director:
Rodd Rathjen

Director of Photography:
Michael Latham

EPK Editor:
Angus Stevens

Editor:
Graeme Pereira

Executive Producer:
Paula Smith Arrigoni
Jonathan Duffy
Jonathan Page
Alicia Brown
Kate Kennedy
Rithy Panh
Michele Turnure-Salleo
Jeff Harrison
Bryce Menzies

First Assistant Camera:
Sokseyha Chhinchhum

First Assistant Director:
Greg Cobain

First Assistant Editor:
Ashlee Lukas

Foley Artist:
Adrian Medhurst

Foley Recording Engineer:
Vanessa Carr

Gaffer:
Ngov Bora

Grip:
Phirum Oudom

Hairstylist:
Nawaporn Loungchai

Key Grip:
Phally But

Legal Services:
Marco Angele
Bryce Menzies

Line Producer:
Cheap Sovichea

Makeup & Hair:
Rachana Boun

Music:
Lawrence English

Music Arranger:
Sam Petty

Music Editor:
Sam Petty

Painter:
Soheng Hing
Sokun Rem
Noeun Nem
Mao Sohoeun
Kan Koeum
Chivy Meach

Picture Car Coordinator:
Vuthy Keo

Post Production Supervisor:
David Gross

Producer:
Rita Walsh
Samantha Jennings
Kristina Ceyton

Production Accountant:
Bolony Ros
Steven McKinnon

Production Assistant:
Samon Mean

Production Consultant:
Nicholas Simon

Production Coordinator:
Sereivuth Kung

Production Design:
Bethany Ryan

Production Manager:
Raweeporn 'Non' Srimonju

Production Supervisor:
Maile Daugherty

Props:
Roeun Phyrom
Tita Na
Thoeun Seihak

Screenplay:
Rodd Rathjen

Script Consultant:
Paul S. Mezey
Virak Ros

Second Assistant Camera:
Kongkea Vann
Thitiwat Pradthanadee

Second Assistant Director:
Sreyra In

Set Decoration:
Ol Sam Orn

Set Production Assistant:
Tithya Nouhem
Chansovanarath Ros

Sound Designer:
Sam Petty

Sound Effects:
Sam Petty

Sound Re-Recording Mixer:
Sam Petty

Sound Recordist:
Dane Cody
Rittichai Cheepho

Steadicam Operator:
Yin Nhor

Still Photographer:
Rafael Winer

Storyboard Artist:
Peter Sheehan

Stunt Coordinator:
Andy Clarke

Thanks:
Paul Rowe

Transportation Coordinator:
Pros Phauk

Underwater Camera:
Simon Christidis

Unit Manager:
Chamrong Chhel

Visual Effects Supervisor:
Leo Baker

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.