A work in constant progress (and occasional regress).
Costume Design:
1982 Starstruck
1983 Il trovatore
1983 The Ploughman's Lunch
Costume Designer:
1982 Starstruck
1983 Il trovatore
1983 Privates on Parade
1983 The Ploughman's Lunch
Production Design:
1965 Always on Sunday
1971 Sunday Bloody Sunday
1978 The Night, the Prowler
1979 My Brilliant Career
1982 Starstruck
1983 Il trovatore
1983 Privates on Parade
1983 The Ploughman's Lunch
1983 The Return of the Soldier
1984 Mrs. Soffel
1988 Madame Sousatzka
1989 The Rainbow
1991 Close My Eyes
1992 Howards End
1993 The Innocent
1993 The Remains of the Day
1994 Only You
1995 Sense and Sensibility
1996 Surviving Picasso
1996 Victory
1997 Oscar and Lucinda
1999 A Midsummer Night's Dream
1999 Anna and the King
1999 Jakob the Liar
2002 Possession
2002 The Gathering Storm
2002 The Importance of Being Earnest
2003 My House in Umbria
2004 Being Julia
2006 Fade to Black
2008 My Zinc Bed
2009 From Time to Time
2009 Into the Storm
2015 The Lovers
2016 The Man Who Knew Infinity
2017 Angelica
2017 Interlude In Prague
2018 The Catcher Was a Spy
2020 Come Away
2021 Falling for Figaro
2022 Mrs. Harris Goes to Paris
2023 Freud's Last Session
2024 Can You Hear Me?
Sequence Artist:
1965 Always on Sunday
1971 Sunday Bloody Sunday
1978 The Night, the Prowler
1978 Watership Down
1979 My Brilliant Career
1982 Starstruck
1983 Il trovatore
1983 Privates on Parade
1983 The Ploughman's Lunch
1983 The Return of the Soldier
1984 Mrs. Soffel
1988 Madame Sousatzka
1989 The Rainbow
1991 Close My Eyes
1992 Howards End
1993 The Innocent
1993 The Remains of the Day
1994 Only You
1995 Sense and Sensibility
1996 Surviving Picasso
1996 Victory
1997 Oscar and Lucinda
1999 A Midsummer Night's Dream
1999 Anna and the King
1999 Jakob the Liar
2002 Possession
2002 The Gathering Storm
2002 The Importance of Being Earnest
2003 My House in Umbria
2004 Being Julia
2006 Fade to Black
2008 My Zinc Bed
2009 From Time to Time
2009 Into the Storm
2015 The Lovers
2016 The Man Who Knew Infinity
2017 Angelica
2017 Interlude In Prague
2018 The Catcher Was a Spy
2020 Come Away
2021 Falling for Figaro
2022 Mrs. Harris Goes to Paris
2023 Freud's Last Session
2024 Can You Hear Me?
Set Designer:
1965 Always on Sunday
1969 Women in Love
1971 Sunday Bloody Sunday
1978 The Night, the Prowler
1978 Watership Down
1979 My Brilliant Career
1982 Starstruck
1983 Il trovatore
1983 Privates on Parade
1983 The Ploughman's Lunch
1983 The Return of the Soldier
1984 Mrs. Soffel
1988 Madame Sousatzka
1989 The Rainbow
1991 Close My Eyes
1992 Howards End
1993 The Innocent
1993 The Remains of the Day
1994 Only You
1995 Sense and Sensibility
1996 Surviving Picasso
1996 Victory
1997 Oscar and Lucinda
1999 A Midsummer Night's Dream
1999 Anna and the King
1999 Jakob the Liar
2002 Possession
2002 The Gathering Storm
2002 The Importance of Being Earnest
2003 My House in Umbria
2004 Being Julia
2006 Fade to Black
2008 My Zinc Bed
2009 From Time to Time
2009 Into the Storm
2015 The Lovers
2016 The Man Who Knew Infinity
2017 Angelica
2017 Interlude In Prague
2018 The Catcher Was a Spy
2020 Come Away
2021 Falling for Figaro
2022 Mrs. Harris Goes to Paris
2023 Freud's Last Session
2024 Can You Hear Me?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.