Home

The Innocent (1993) [R]

Release Date:
September 16, 1993

Original Title:
The Innocent

Alternate Titles:
und der Himmel steht still
情迷血玛莉
桃色控诉
目击证人

Genres:
Drama | Romance

Production Companies:
DEFA
Lakeheart
Miramax
Sievernich Film

Production Countries:
Germany | United Kingdom

Ratings / Certifications:
US: R 

Runtime: 119

Overview from TheMovieDB

A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man’s best friend, he falls in love with a mysterious woman who will take him on the dark side of evil.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Additional Casting:
Jeff Block

Art Direction:
Dieter Döhl

Assistant Accountant:
Esther Eimerl
Monika Helmer
Mark Lowsley

Assistant Art Director:
Sophia Müller

Assistant Costume Designer:
Gudrun Leyendecker

Assistant Editor:
Terry Busby
Tim Lewiston

Assistant Location Manager:
Nicole Haevecker
Karl-Martin Lötsch

Background Casting Director:
Jan Sebastian Ballhaus

Best Boy Electric:
Klaus Lubs

Boom Operator:
Peter Henrici

Camera Trainee:
Dirk-Martin Heinzelmann
Thomas Křivý

Casting:
Emily Schweber
Renate Landkammer
Noel Davis
Jeremy Zimmermann

Choreographer:
Eleanor Fazan

Costume Consultant:
Lindy Hemming

Costume Design:
Ingrid Zoré

Dialect Coach:
Jessica Drake
Joy Ellison

Dialogue Editor:
John Poyner

Director:
John Schlesinger

Director of Photography:
Dietrich Lohmann

Dolly Grip:
Michael Grötzinger

Editor:
Richard Marden

Electrician:
Klaus Nietsch
Martin Fischer
Ron Rakowski

Executive Producer:
Ann Dubinet

First Assistant Camera:
Robert Wiesmann

First Assistant Director:
David Tringham

First Assistant Editor:
Roy Birchley
Sabine Hermsdorf

Foley Editor:
Anthony Message

Gaffer:
Holger Greiß

Generator Operator:
Fred Dombrowka

Grip:
Lothar Horn

Hair Designer:
Christine Beveridge

Key Hair Stylist:
Joan Hills

Key Makeup Artist:
Joan Hills

Line Producer:
Ingrid Windisch

Location Manager:
Barbara von Wrangell

Makeup Designer:
Christine Beveridge

Novel:
Ian McEwan

Original Music Composer:
Gerald Gouriet

Post Production Coordinator:
Alison Odell

Producer:
Norma Heyman
Chris Sievernich
Wieland Schulz-Keil

Production Accountant:
Christoph Bicker

Production Coordinator:
Karin C. Muller

Production Design:
Luciana Arrighi

Production Manager:
Barbara von Wrangell

Production Secretary:
Katja Hoerstmann

Property Master:
Joey Weber

Props:
Frank Dockhorn

Prosthetic Designer:
Hasso von Hugo

Screenplay:
Ian McEwan

Script Supervisor:
Diana Dill

Second Assistant Camera:
Pergrin Jung

Second Assistant Director:
Stefan Diepenbrock

Set Decoration:
Philipp Hübner
Olaf Schiefner

Sound Assistant:
Dean Humphreys

Sound Mixer:
Axel Arft
Gerry Humphreys

Special Effects:
Adolf Wojtinek

Steadicam Operator:
Klemens Becker
Michael Clausen
Jörg Widmer

Still Photographer:
Christa Köfer
Michael Childers

Supervising Sound Editor:
Nicholas Stevenson

Third Assistant Director:
Sebastian Fahr-Brix

Transportation Captain:
Armin Bach
Willi Lange

Unit Production Manager:
Günther Russ

Wardrobe Assistant:
Ingrid Buhrmann
Karmen Kaplick
Maria Kolhoff

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.