A work in constant progress (and occasional regress).
Alias:
Tanis Vasilios
Vasilios B. Tanis
Vecilious Tanis
Vasilios Tanis is a makeup artist. Tanis's career encompasses a range of high-profile projects. He served as the makeup co-department head for Marvel Studios' "WandaVision," a role that garnered him a nomination for Outstanding Period and/or Character Makeup (Non-Prosthetic) at the 2021 Emmy Awards. In 2024, he led the makeup department for Sony's "Madame Web," where he was instrumental in the on-screen transformation of actors such as Dakota Johnson and Sydney Sweeney into superheroes. His television credits include serving as the key makeup artist for the political drama "House of Cards," contributing to 71 episodes from 2013 to 2018. Tanis's work on this series was recognised with a nomination at the Make-Up Artists & Hair Stylists Guild Awards in 2015 for Best Contemporary Makeup in a Television and New Media Series. Additionally, he has held key makeup roles on series such as "Blunt Talk," "90210," and "Californication," and served as the makeup department head for the Marvel series "Agatha All Along" in 2024.
Key Makeup Artist:
2019 Avengers: Endgame
Makeup Artist:
2001 Head Over Heels
2003 Underworld
2004 The Aviator
2004 Van Helsing
2006 Click
2006 Underworld: Evolution
2007 Snow Angels
2007 Vacancy
2008 Nothing But the Truth
2009 Everybody's Fine
2009 Whiteout
2009 Winged Creatures
2010 Burlesque
2012 The Hunger Games
2014 The Purge: Anarchy
2018 Avengers: Infinity War
2019 Avengers: Endgame
2019 Captain Marvel
2019 Spider-Man: Far From Home
2020 Wonder Woman 1984
2021 Ghostbusters: Afterlife
2022 Top Gun: Maverick
2023 Ant-Man and the Wasp: Quantumania
2025 Riff Raff
2025 Thunderbolts*
Makeup Department Head:
2001 Head Over Heels
2003 Underworld
2004 The Aviator
2004 Van Helsing
2006 Click
2006 Underworld: Evolution
2007 Snow Angels
2007 Vacancy
2008 Nothing But the Truth
2009 Everybody's Fine
2009 Whiteout
2009 Winged Creatures
2010 Burlesque
2012 Playing for Keeps
2012 The Hunger Games
2014 The Purge: Anarchy
2017 The Dark of Night
2018 Avengers: Infinity War
2019 Avengers: Endgame
2019 Captain Marvel
2019 Spider-Man: Far From Home
2020 Wonder Woman 1984
2021 Ghostbusters: Afterlife
2021 Spider-Man: No Way Home
2022 Thor: Love and Thunder
2022 Top Gun: Maverick
2023 Ant-Man and the Wasp: Quantumania
2024 Madame Web
2025 Riff Raff
2025 The Fantastic Four: First Steps
2025 Thunderbolts*
Key Makeup Artist:
2008 90210
2013 House of Cards
2015 Blunt Talk
Makeup Artist:
2007 Californication
2007 Mad Men
2008 90210
2013 House of Cards
2015 Blunt Talk
2019 The Unicorn
Makeup Department Head:
2007 Californication
2007 Mad Men
2008 90210
2013 House of Cards
2015 Blunt Talk
2018 Sorry For Your Loss
2019 The Unicorn
2021 WandaVision
2024 Agatha All Along
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.