A work in constant progress (and occasional regress).
Dialogue Editor:
2011 Bubble Gum
2013 Sikander
2014 Names Unknown
2017 Mayaanadhi
2022 The Leftovers
Sound Designer:
2011 Bubble Gum
2013 Sikander
2014 Names Unknown
2016 Force 2
2017 Mayaanadhi
2022 Chitrakut
2022 River
2022 The Leftovers
Sound Editor:
2010 LSD: Love, Sex aur Dhokha
2011 Bubble Gum
2013 Sikander
2013 Special 26
2014 Names Unknown
2016 Force 2
2017 Gurgaon
2017 Mayaanadhi
2018 Raazi
2022 Chitrakut
2022 River
2022 The Leftovers
Sound Re-Recording Mixer:
2010 LSD: Love, Sex aur Dhokha
2011 Bubble Gum
2013 Sikander
2013 Special 26
2013 Zinda Bhaag
2014 Names Unknown
2016 Force 2
2017 Gurgaon
2017 Mayaanadhi
2018 Raazi
2021 Googly Gumm Hai
2022 Chitrakut
2022 River
2022 The Leftovers
Sound Recordist:
2010 LSD: Love, Sex aur Dhokha
2011 Bubble Gum
2013 Sikander
2013 Special 26
2013 Zinda Bhaag
2014 Names Unknown
2015 Electric Shadows: Journeys in Image-making
2016 Force 2
2017 Gurgaon
2017 Mayaanadhi
2018 Raazi
2021 Googly Gumm Hai
2022 Chitrakut
2022 River
2022 The Leftovers
Supervising Sound Editor:
2010 LSD: Love, Sex aur Dhokha
2011 Bubble Gum
2013 Sikander
2013 Special 26
2013 Zinda Bhaag
2014 Names Unknown
2015 Electric Shadows: Journeys in Image-making
2016 Force 2
2017 Gurgaon
2017 Mayaanadhi
2018 Raazi
2020 Dil Bechara
2021 Googly Gumm Hai
2022 Chitrakut
2022 River
2022 The Leftovers
Dialogue Editor:
2019 Baahubali: Before the Beginning
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.