A work in constant progress (and occasional regress).
Release Date:
March 19, 2010
Original Title:
लव सेक्स और धोखा
Alternate Titles:
Love Sex aur Dhokha
Genres:
Comedy | Crime | Drama
Production Companies:
Balaji Motion Pictures
Cult Movies
Production Countries:
India
Ratings / Certifications:
IN: UA
Runtime: 108
A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely linked tales.
Assistant Director:
Tangella Madhavi
Naveen Kasturia
Atul Mongia
Adesh Prasad
Harish Dinkar
Assistant Director of Photography:
S. V. Vishweshwar
Assistant Editor:
Dattatraya Ghodke
Associate Producer:
Priya Aven
Casting Director:
Atul Mongia
Choreographer:
Ravi Botalje
Co-Producer:
Vikram Malhotra
Puneet Kinra
Colorist:
Makarand Surte
Costume Design:
Manoshi Nath
Rushi Sharma
Creative Producer:
Urmi Juvekar
Director:
Dibakar Banerjee
Director of Photography:
Nikos Andritsakis
Editor:
Namrata Rao
First Assistant Director:
Kanu Behl
Legal Services:
Ashni Parekh
Line Producer:
Pooja Gupta
Lyricist:
Dibakar Banerjee
Makeup Department Head:
Suresh Mohanty
Mixing Engineer:
Sreejesh Nair
Hitendra Ghosh
Music Producer:
Abhijit Vaghani
Mikey McCleary
Abhijeet Nalani
Music Score Producer:
Roshin Dalal
Original Music Composer:
Sneha Khanwalkar
Post Production Supervisor:
Shilpan Veena Vyas
Producer:
Ekta Kapoor
Priya Sreedharan
Shobha Kapoor
Production Assistant:
Amit Dixit
Ravi Shetty
Sachin Koli
Production Design:
Mustafa Stationwala
Production Manager:
Parimal Sampat
Production Runner:
Kripa Shankar
Screenplay:
Kanu Behl
Dibakar Banerjee
Script Supervisor:
Ankit Kothari
Sound:
Pritam Das
Sound Assistant:
B. Suryakiran
Dhiman Karmakar
Sudipto Mukherjee
Sound Editor:
Boby John
Supervising Producer:
Cauvery Rajgopal
Unit Production Manager:
Nitin Dalvi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.