A work in constant progress (and occasional regress).
Stephen Nakamura, one of the most accomplished feature film colourists in Hollywood, brings a wealth of experience to his work. He has collaborated with esteemed directors such as David Fincher, Ridley Scott, Kathryn Bigelow, Spike Lee, and Steven Spielberg, as well as renowned cinematographers Dariusz Wolski, ASC, Claudio Miranda, ASC, Robert Richardson, ASC, and Janusz Kaminski. Stephen Nakamura’s feature film credits span a wide range of genres and styles, including major releases such as Nyad (Netflix), Napoleon (Columbia Pictures), Doctor Strange and the Multiverse of Madness (Marvel Studios), and nearly all of Ridley Scott’s feature directing work for over 15 years, including The Martian and the Alien franchise. Further demonstrating his versatility, Nakamura has received multiple awards for his technical and artistic contributions to significant films, T.V. series, and commercials, including Disney+’s Obi-Wan Kenobi, Hennessy’s X.O.: The Seven Worlds, and most recently, HBO’s The Last of Us, for which he was awarded the 2024 Lumiere Award from the Advanced Imaging Society (AIS) for Best Use of High Dynamic Range in an episodic series. In 2018, Stephen Nakamura was accepted into the Academy of Motion Picture Arts & Sciences. Before joining Company 3, Nakamura was with Technicolour Digital Services, where he got his start in feature film finishing. He was also a colourist with the Post Group, working on significant commercial, music video, television, and feature film projects. He began his career at California Video Centre. Based at Company 3 Los Angeles. Available virtually through any Company 3 Virtual Outpost. Information above via their homepage.
Color Timer:
2002 Panic Room
2004 National Treasure
2008 The Hurt Locker
Colorist:
2002 Panic Room
2004 National Treasure
2008 The Hurt Locker
2012 The Company You Keep
2013 Anchorman 2: The Legend Continues
2015 The Big Short
2015 The Martian
2016 Passengers
2017 Detroit
2017 The Dark Tower
2018 Sicario: Day of the Soldado
2020 Da 5 Bloods
2020 Underwater
2023 No One Will Save You
2024 The First Omen
Digital Color Timer:
2002 Panic Room
2004 National Treasure
2008 The Hurt Locker
2012 The Company You Keep
2013 Anchorman 2: The Legend Continues
2015 The Big Short
2015 The Martian
2016 Passengers
2017 Detroit
2017 The Dark Tower
2018 Sicario: Day of the Soldado
2020 Da 5 Bloods
2020 Underwater
2023 No One Will Save You
2024 The First Omen
Digital Colorist:
2002 Panic Room
2004 National Treasure
2008 21
2008 The Hurt Locker
2009 Surrogates
2012 The Company You Keep
2013 Anchorman 2: The Legend Continues
2015 The Big Short
2015 The Martian
2016 Passengers
2017 Detroit
2017 The Dark Tower
2018 Sicario: Day of the Soldado
2020 Da 5 Bloods
2020 Underwater
2022 Morbius
2023 No One Will Save You
2024 The First Omen
Digital Intermediate:
2002 Panic Room
2004 National Treasure
2008 21
2008 The Hurt Locker
2009 Surrogates
2012 Safe
2012 The Company You Keep
2013 Anchorman 2: The Legend Continues
2015 The Big Short
2015 The Martian
2016 Passengers
2016 X-Men: Apocalypse
2017 Detroit
2017 The Dark Tower
2018 Sicario: Day of the Soldado
2020 Da 5 Bloods
2020 Underwater
2022 Morbius
2023 No One Will Save You
2024 The First Omen
Digital Intermediate Colorist:
2002 Panic Room
2004 National Treasure
2008 21
2008 Body of Lies
2008 The Hurt Locker
2009 Surrogates
2009 The Uninvited
2011 A Little Bit of Heaven
2011 The Conspirator
2012 Safe
2012 The Company You Keep
2013 Anchorman 2: The Legend Continues
2015 The Big Short
2015 The Martian
2016 Passengers
2016 The Sea of Trees
2016 X-Men: Apocalypse
2017 Detroit
2017 It
2017 The Dark Tower
2018 Sicario: Day of the Soldado
2018 The Current War
2019 Charlie's Angels
2019 It Chapter Two
2020 Da 5 Bloods
2020 The New Mutants
2020 Underwater
2021 In the Heights
2022 Morbius
2023 No One Will Save You
2024 The First Omen
Colorist:
2023 The Last of Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.