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The Hurt Locker (2008) [R]

Release Date:
October 10, 2008

Original Title:
The Hurt Locker

Alternate Titles:
Atrapados en Irak
Démineurs
Echipa de foc
En tierra hostil
Guerra ao Terror
Toedliches Kommando The Hurt Locker
Tödliches Kommando
Vivir al límite
ハート・ロッカー：2008

Genres:
Drama | Thriller | War

Production Companies:
First Light
Grosvenor Park Media
Kingsgate Films
Voltage Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: 16   AU: MA15+  BE: 18  BR: 14  CH: 14|16  DE: 16  DK: 15  ES: 16  FI: K-15|K-16  FR: U  GB: 15  GR: 15  HK: IIB  HU: R  IE: 15A  IN: A  IS: 16  IT: T  JP: PG12   KR: 15  MX: B15   NL: 16  NO: 15  NZ: R16  PE: 14  PH: R-13  PL: 16  PT: M/16  RU: 16+  SE: 15  SG: M18   TW: 12+  US: R 

Runtime: 131

You don't have to be a hero to do this job. But it helps.

Overview from TheMovieDB

During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.

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Performers

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Production

ADR Editor:
Robert Troy

ADR Supervisor:
Joe Cappelletti

Additional Director of Photography:
Newton Thomas Sigel

Additional Music Supervisor:
Bill Boston

Ager/Dyer:
Melissa Binder

Assistant Costume Designer:
Daniel J. Lester
Cathy Darby

Assistant Property Master:
Karim Kheir
Ben Krakowsky

Associate Producer:
Jack Schuster
Kirk Shaw

Best Boy Electric:
Geoff Dane

Boom Operator:
Simon Bysshe

Camera Operator:
Dale H. Jahraus
Scott MacDonald
Duraid Munajim

Casting:
Mark Bennett
Lara Atalla
Laura Toplass

Casting Assistant:
Adel Akkad

Co-Producer:
Donall McCusker

Color Timer:
Gilbert Carreras
Stephen Nakamura

Construction Coordinator:
Marwan Kheir

Costume Coordinator:
Karma Hijjawi

Costume Design:
George L. Little
Vicky Mulholland

Costume Supervisor:
Moira Anne Meyer
Sara Rakhshandeh

Dialogue Editor:
Kimberly Harris
Robert Troy

Digital Intermediate:
Mike Chiado
Bruce Lomet
Stefan Sonnenfeld

Digital Intermediate Assistant:
J. Cody Baker

Digital Intermediate Producer:
Erik Rogers

Director:
Kathryn Bigelow

Director of Photography:
Barry Ackroyd

Dolly Grip:
Jules Quesnel

Editor:
Bob Murawski
Chris Innis

Executive Producer:
Tony Mark

First Assistant Camera:
Robin Smith
Stewart Whelan
Oliver Driscoll
Imad Rechiche

First Assistant Director:
Lee Cleary
David Ticotin

First Assistant Editor:
Sean Valla

First Assistant Sound Editor:
Ryan Juggler

Foley Editor:
John Sanacore
Alex Ullrich

Gaffer:
Matthew Moffat
Jim Swanson

Key Grip:
Dave Walker

Key Makeup Artist:
Dana Hamel

Lighting Technician:
Hosni Al Baqa

Location Manager:
Jamie Lake
Fawaz Zoubi
Michael Farias

Music Editor:
Julie Pearce

Music Supervisor:
John Bissell
Peter Rotter

Online Editor:
Alex Romano

Original Music Composer:
Marco Beltrami
Buck Sanders

Post Production Assistant:
Rupert Lloyd

Post-Production Manager:
Jack Schuster

Producer:
Kathryn Bigelow
Mark Boal
Nicolas Chartier
Jenn Lee
Greg Shapiro

Production Design:
Karl Júlíusson
Paul Joyal

Production Manager:
Karima Ladjimi
Rob Lycar

Property Master:
David Inkster
Nasser Zoubi

Scoring Mixer:
John Kurlander

Screenplay:
Mark Boal

Script Supervisor:
Aslaug Konradsdottir

Second Assistant Director:
Nicolas Harvard

Second Unit Director of Photography:
Niels Reedtz Johansen

Set Decoration:
Amin Charif El Masri
Ian Nothnagel

Sound Designer:
Paul N.J. Ottosson

Sound Effects:
Chris M. Jacobson

Sound Effects Editor:
Richard C. Franklin
Jamie Hardt
Bernard Weiser

Sound Mixer:
Craig Stauffer
Ray Beckett

Sound Re-Recording Mixer:
Paul N.J. Ottosson

Special Effects Supervisor:
Blair Foord
Richard Stutsman

Still Photographer:
Jonathan Olley
Ed Araquel

Storyboard Designer:
Gary Damian Thomas

Stunt Coordinator:
Isaac Hamon
Tony Marsh

Transportation Coordinator:
Dean Fitzpatrick

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.