A work in constant progress (and occasional regress).
Assistant Camera:
1976 My Father's Nurse
1982 The New York Ripper
1984 All for the Moral Majority!
1984 Bertoldo, Bertoldino, and Cacasenno
1984 The Future Is Woman
1986 Ginger and Fred
Camera Operator:
1976 My Father's Nurse
1977 Women's Camp 119
1978 The Perfect Crime
1982 The New York Ripper
1983 The Story of Piera
1984 All for the Moral Majority!
1984 Bertoldo, Bertoldino, and Cacasenno
1984 Hell Behind the Bars
1984 The Future Is Woman
1986 Ginger and Fred
1990 The Voice of the Moon
Cinematography:
1976 My Father's Nurse
1977 Women's Camp 119
1978 The Perfect Crime
1982 The New York Ripper
1983 The Story of Piera
1984 All for the Moral Majority!
1984 Bertoldo, Bertoldino, and Cacasenno
1984 Hell Behind the Bars
1984 The Future Is Woman
1986 Ginger and Fred
1990 The Voice of the Moon
1995 Ragazzi della notte
2002 Il consiglio d'Egitto
Director of Photography:
1976 My Father's Nurse
1977 Women's Camp 119
1978 The Perfect Crime
1982 The New York Ripper
1983 The Story of Piera
1984 All for the Moral Majority!
1984 Bertoldo, Bertoldino, and Cacasenno
1984 Hell Behind the Bars
1984 The Future Is Woman
1986 Ginger and Fred
1990 The Voice of the Moon
1993 The Long Silence
1995 Ragazzi della notte
1999 Giamaica
1999 Milonga
2000 Film
2002 Il consiglio d'Egitto
Focus Puller:
1976 My Father's Nurse
1977 Women's Camp 119
1978 The Perfect Crime
1982 The New York Ripper
1983 The Story of Piera
1984 All for the Moral Majority!
1984 Bertoldo, Bertoldino, and Cacasenno
1984 Hell Behind the Bars
1984 The Future Is Woman
1986 Ginger and Fred
1986 The Name of the Rose
1990 The Voice of the Moon
1993 The Long Silence
1995 Ragazzi della notte
1999 Giamaica
1999 Milonga
2000 Film
2002 Il consiglio d'Egitto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.