The Future Is Woman (1984) [N/A]

Release Date:
September 5, 1984

Original Title:
Il futuro è donna

Alternate Titles:
Le futur est femme
Бъдещето е в жената

Genres:
Drama

Production Companies:
Ascot Film
Faso Film
UGC Films

Production Countries:
France | Germany | Italy

Ratings / Certifications:
FR: U  IT: VM14 

Runtime: 89

In this improbable, ponderous story about a couple who do not want to have children of their own, and a pregnant, single woman who needs a home for awhile, the relationship between the three is strange, at the very least.

Additional information:

The Search Form


Administration:
Raffaello Saragò

Assistant Camera:
Antonio Scaramuzza
Marco Sperduti

Assistant Costume Designer:
Maria Rita Barbera
Costanza Guerra

Assistant Editor:
Rosanna Landi
Cecilia Catalucci

Boom Operator:
Stefano De Paolis

Camera Operator:
Enrico Sasso

Choreographer:
Iaia De Capitani

Costume Design:
Nicoletta Ercole

Director:
Marco Ferreri

Director of Photography:
Tonino Delli Colli

Editor:
Ruggero Mastroianni

Executive Producer:
Luciano Luna

First Assistant Director:
Beatrice Banfi

Gaffer:
Giuliano Michisanti

Hairstylist:
Paolo Franceschi
Giancarlo De Leonardis

Key Grip:
Augusto Diamanti

Makeup Artist:
Gino Zamprioli
Anni Nöbauer
Mario Di Salvio

Original Music Composer:
Carlo Savina

Producer:
Achille Manzotti

Production Assistant:
Peter Baumgartner

Production Design:
Dante Ferretti

Production Manager:
Giandomenico Stellitano
Gérard Gaultier

Production Secretary:
Sebastiano Argentino

Property Master:
Vittorio Troiani

Script Supervisor:
Patrizia Zulini

Seamstress:
Orsola Liberati
Maura Zuccherofino

Second Assistant Director:
Paolo Trotta

Set Decoration:
Massimo Razzi

Sound:
Jean-Pierre Ruh

Sound Editor:
Donato Ungaro
Aurelio Pennacchia

Sound Mixer:
Fausto Ancillai

Still Photographer:
Maria Teresa Mattioni

Unit Manager:
Luigi Lagrasta
Cesare Bastelli

Writer:
Marco Ferreri
Dacia Maraini
Piera Degli Esposti

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.