A work in constant progress (and occasional regress).
Release Date:
September 5, 1984
Original Title:
Il futuro è donna
Alternate Titles:
Le futur est femme
Бъдещето е в жената
Genres:
Drama
Production Companies:
Ascot Film
Faso Film
UGC Films
Production Countries:
France | Germany | Italy
Ratings / Certifications:
FR: U IT: VM14
Runtime: 89
In this improbable, ponderous story about a couple who do not want to have children of their own, and a pregnant, single woman who needs a home for awhile, the relationship between the three is strange, at the very least.
Administration:
Raffaello Saragò
Assistant Camera:
Antonio Scaramuzza
Marco Sperduti
Assistant Costume Designer:
Maria Rita Barbera
Costanza Guerra
Assistant Editor:
Rosanna Landi
Cecilia Catalucci
Boom Operator:
Stefano De Paolis
Camera Operator:
Enrico Sasso
Choreographer:
Iaia De Capitani
Costume Design:
Nicoletta Ercole
Director:
Marco Ferreri
Director of Photography:
Tonino Delli Colli
Editor:
Ruggero Mastroianni
Executive Producer:
Luciano Luna
First Assistant Director:
Beatrice Banfi
Gaffer:
Giuliano Michisanti
Hairstylist:
Paolo Franceschi
Giancarlo De Leonardis
Key Grip:
Augusto Diamanti
Makeup Artist:
Gino Zamprioli
Anni Nöbauer
Mario Di Salvio
Original Music Composer:
Carlo Savina
Producer:
Achille Manzotti
Production Assistant:
Peter Baumgartner
Production Design:
Dante Ferretti
Production Manager:
Giandomenico Stellitano
Gérard Gaultier
Production Secretary:
Sebastiano Argentino
Property Master:
Vittorio Troiani
Script Supervisor:
Patrizia Zulini
Seamstress:
Orsola Liberati
Maura Zuccherofino
Second Assistant Director:
Paolo Trotta
Set Decoration:
Massimo Razzi
Sound:
Jean-Pierre Ruh
Sound Editor:
Donato Ungaro
Aurelio Pennacchia
Sound Mixer:
Fausto Ancillai
Still Photographer:
Maria Teresa Mattioni
Unit Manager:
Luigi Lagrasta
Cesare Bastelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.