A work in constant progress (and occasional regress).
Alias:
Eduardo Villalobos Pino
Associate Producer:
2010 Huacho
2016 Fragmentos de Lucía
Co-Producer:
2010 Huacho
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
Director:
2010 Huacho
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2021 Pulento
Editor:
2010 Huacho
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2018 Wanderer
2021 Pulento
Executive Producer:
2010 Huacho
2012 By the Fire
2014 To Kill a Man
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2017 Bad Influence
2018 Wanderer
2021 Pulento
First Assistant Director:
2010 Huacho
2012 By the Fire
2014 To Kill a Man
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2017 Bad Influence
2018 Wanderer
2021 Pulento
Music:
2010 Huacho
2012 By the Fire
2014 To Kill a Man
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2017 Bad Influence
2018 Wanderer
2021 Pulento
Other:
2010 Huacho
2012 By the Fire
2014 To Kill a Man
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2017 Bad Influence
2018 Wanderer
2019 La última frontera
2021 Pulento
Producer:
2007 Along Came the Rain
2010 Huacho
2012 By the Fire
2014 To Kill a Man
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2017 Bad Influence
2018 Wanderer
2019 La última frontera
2021 Pulento
Production Designer:
2007 Along Came the Rain
2010 Huacho
2012 By the Fire
2014 To Kill a Man
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2017 Bad Influence
2018 Wanderer
2019 La última frontera
2021 Pulento
Writer:
2007 Along Came the Rain
2010 Huacho
2012 By the Fire
2014 To Kill a Man
2015 La mujer de la Esclavina
2016 Fragmentos de Lucía
2017 Bad Influence
2018 Wanderer
2019 La última frontera
2021 Pulento
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.