A work in constant progress (and occasional regress).
Release Date:
October 1, 2014
Original Title:
Matar a un hombre
Genres:
Drama | Thriller
Production Companies:
Arizona Films
El Remanso
Production Countries:
Chile | France
Ratings / Certifications:
DE: 16
Runtime: 82
Jorge is a peaceful hard-working man who seeks a simple, quiet life for himself and his family. One day, he is mugged and humiliated by a gang of thugs led by Kalule, a delinquent from his neighborhood. This event infuriates his son as much for Jorge’s meek acceptance as for the act itself. The son, looking for retribution, ends up getting himself shot. Kalule is sent to jail and when he gets out 18 months later, begins a campaign of terror against Jorge and his family. The authorities do nothing, so Jorge decides to take matters into his own hands.
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ADR & Dubbing:
Karen Cruces
Administration:
Maria Teresa Bacigalupe
Art Designer:
Camilo Solis
Art Direction:
Daniela Lopez Montoya
Associate Producer:
Rémi Roy
Bénédicte Thomas
Pablo Pinochet
Boom Operator:
Andrés Carrasco
Camera Operator:
Inti Briones
Casting:
Paula Leoncini
Co-Producer:
Guillaume de Seille
Continuity:
Angela Jarpa
Costumer:
Sebastián Torrico
Dialogue Editor:
Karen Cruces
Director:
Alejandro Fernández Almendras
Director of Photography:
Inti Briones
Editor:
Soledad Salfate
Alejandro Fernández Almendras
Executive Producer:
Eduardo Villalobos
First Assistant Director:
Eduardo Villalobos
Focus Puller:
Raúl 'Lito' Salas
Foley Artist:
Mauricio Castañeda
Foley Recordist:
Soledad Vargas
Line Producer:
Johnny Correa
Makeup & Hair:
Paz González
Original Music Composer:
Pablo Vergara
Other:
Martin Seltzer
Mauricio López
Producer:
Eduardo Villalobos
Production Assistant:
Ramón Ávila Hernández
Screenplay:
Alejandro Fernández Almendras
Set Decoration:
Sebastián Torrico
Sound:
Pablo Pinochet
Sound Designer:
Pablo Pinochet
Sound Mixer:
Frédéric Thery
Sound Post Production Coordinator:
Marcos De Aguirre
Sound Supervisor:
Pablo Pinochet
Still Photographer:
Angela Jarpa
Visual Effects:
Ismael Cabrera
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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