A work in constant progress (and occasional regress).
Sound Designer:
???? SOFIA'S WISH
Sound Editor:
1996 Who Killed Pixote?
2001 Favorite Son
2002 Overwhelming Women
2003 Dom
2003 Flores da Estrada
2004 Um Show de Verão
2005 Mais uma Vez Amor
2005 The Visit
2006 O Cavaleiro Didi e a Princesa Lili
2007 Baptism of Blood
2008 Father's Day
2011 A Long Journey
2011 Desenrola
2011 Federal Bank Heist
2011 Não Se Preocupe, Nada Vai Dar Certo!
2024 Nothing Like Before – The Music of Clube da Esquina
???? SOFIA'S WISH
Sound Mixer:
1996 Who Killed Pixote?
2001 Favorite Son
2002 Overwhelming Women
2003 Dom
2003 Flores da Estrada
2004 Um Show de Verão
2005 Mais uma Vez Amor
2005 The Visit
2006 O Cavaleiro Didi e a Princesa Lili
2007 Baptism of Blood
2008 Father's Day
2011 A Long Journey
2011 Desenrola
2011 Federal Bank Heist
2011 Não Se Preocupe, Nada Vai Dar Certo!
2019 Família de Axé
2024 Nothing Like Before – The Music of Clube da Esquina
???? SOFIA'S WISH
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.