A work in constant progress (and occasional regress).
Release Date:
April 20, 2007
Original Title:
Batismo de Sangue
Genres:
Drama | History | Thriller
Production Companies:
Downtown Filmes
Quimera Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 110
In São Paulo, in the late 1960s, the convent of the Dominican friars became a trench of resistance to the military dictatorship that governs Brazil. Moved by Christian ideals, frets Betto, Oswaldo, Fernando, Ivo and Tito came to support the guerrilla group Ação Libertadora Nacional, commanded by Carlos Marighella.
Art Direction:
Adrian Cooper
Co-Executive Producer:
Tininho Nogueira Da Fonseca
Co-Producer:
Patrick Siaretta
Colorist:
Gigio Pelosi
Costume Design:
Marjorie Gueller
Joana Porto
Digital Compositor:
Marcelo Ferreira PeeJay
Director:
Helvécio Ratton
Director of Photography:
Lauro Escorel
Editor:
Mair Tavares
Electrician:
Toti Cardoso
Executive Producer:
Guilherme Fiúza Zenha
First Assistant Director:
Cecília Amado
Foley:
Daniel Heusser
Foley Artist:
Mauricio Castañeda
Foley Editor:
Iván Quiroz
Hairstylist:
Bob Paulino
Anouk Grédoire-Colombel
Key Grip:
Vincent Blasco
Makeup Artist:
Vavá Torres
Novel:
Frei Betto
Original Music Composer:
Marco Antônio Guimarães
Post Production Coordinator:
Mariana Zdravca
Producer:
Helvécio Ratton
Simone de Magalhães Matos
Screenplay:
Helvécio Ratton
Dani Patarra
Second Assistant Director:
Maria Farkas
Set Designer:
Beli Araujo
Fabienne Guillot
Sound Editor:
Maria Muricy
José Moreau Louzeiro
Sound Mixer:
David Miranda-Hardy
Special Effects:
Sergio Farjalla
Still Photographer:
Bianca Aun
Stevan Avellar
Stunt Coordinator:
Javier Lambert
Visual Effects:
Vanessa Mariano
Rogério Marinho
Visual Effects Coordinator:
Robson Sartori
Visual Effects Supervisor:
Marcelo Siqueira
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.