Doug Spilatro (b. 1957)

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Birthplace:
Plainfield, New Jersey, USA

Born:
October 19, 1957

Doug Spilatro is an American visual effects artist, known for Ant-Man (2015), Rise of the Planet of the Apes (2011) and Guardians of the Galaxy (2014).

Additional information:

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VFX Artist:
2012  Jack Reacher
2012  Men in Black 3
2017  Temple
2019  Jojo Rabbit
2020  Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
2021  Ghostbusters: Afterlife
2021  Zack Snyder's Justice League
2022  Amsterdam
2022  Black Adam
2022  Lyle, Lyle, Crocodile
2023  Ferrari
2023  Peter Pan & Wendy
2023  The Color Purple

Visual Effects:
2004  Closer
2009  Deep Winter
2009  Zombieland
2011  Rio
2012  Jack Reacher
2012  Men in Black 3
2014  Chef
2014  Road to Paloma
2017  Temple
2019  Jojo Rabbit
2020  Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
2021  A Quiet Place Part II
2021  Flag Day
2021  Ghostbusters: Afterlife
2021  Zack Snyder's Justice League
2022  Amsterdam
2022  Black Adam
2022  Lyle, Lyle, Crocodile
2022  The Good House
2023  Ferrari
2023  Peter Pan & Wendy
2023  The Color Purple

Visual Effects Compositor:
2004  Closer
2009  Deep Winter
2009  Zombieland
2011  Rio
2012  Jack Reacher
2012  Men in Black 3
2014  Chef
2014  Road to Paloma
2017  Temple
2019  Jojo Rabbit
2020  Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
2021  A Quiet Place Part II
2021  Flag Day
2021  Ghostbusters: Afterlife
2021  Zack Snyder's Justice League
2022  Amsterdam
2022  Black Adam
2022  Lyle, Lyle, Crocodile
2022  The Good House
2023  Ferrari
2023  Peter Pan & Wendy
2023  The Color Purple
2024  Hold Up

Visual Effects Supervisor:
2004  Closer
2009  Deep Winter
2009  Zombieland
2011  Rio
2012  Jack Reacher
2012  Men in Black 3
2014  Chef
2014  Road to Paloma
2016  Fences
2017  Logan
2017  Spider-Man: Homecoming
2017  Temple
2017  The Post
2017  Thor: Ragnarok
2018  Ant-Man and the Wasp
2018  Avengers: Infinity War
2018  Black Panther
2019  Jojo Rabbit
2020  Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
2021  A Quiet Place Part II
2021  Flag Day
2021  Ghostbusters: Afterlife
2021  Zack Snyder's Justice League
2022  Amsterdam
2022  Black Adam
2022  Lyle, Lyle, Crocodile
2022  The Good House
2023  Ferrari
2023  Peter Pan & Wendy
2023  The Color Purple
2024  Hold Up

VFX Artist:
2019  Euphoria

Visual Effects:
2005  Commander in Chief
2005  The Closer
2019  Euphoria

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.