A work in constant progress (and occasional regress).
Premiere:
September 27, 2005
# of Seasons: 1
# of Episodes: 18
Finale:
June 14, 2006
Creators:
Rod Lurie
Original Title:
Commander in Chief
Genres:
Drama
Production Companies:
Battleplan Productions
Steven Bochco Productions
Touchstone Television
Countries:
US
Mackenzie Allen has a lot on her plate -- she has twin teenagers, a 6-year-old at home and an ambitious husband at the office, and she is about to become the first female president of the United States. Before that happens, however; Mackenzie, who serves as vice president, has to decide whether or not to go against the dying wishes of the current president, who has asked her to step down and let someone "more appropriate" fill his shoes in the Oval Office. Not only does the president want her to resign, so does the entire party that elected her in the first place. But when the moment of truth arrives, Mackenzie isn't willing to be a mere footnote in history. Instead of allowing her detractors to keep her down, she decides to trust her instincts and accept the most powerful job in the world.
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Assistant Accountant:
Jason Slattery
Assistant Property Master:
Jason Wolf
Assistant Sound Editor:
Hugh Murphy
Associate Producer:
Alex Shevchenko
Camera Operator:
John Kairis
Casting:
Steve Brooksbank
Mary Jo Slater
Catering:
Laurent Marchand
Co-Executive Producer:
Geena Davis
Alison Cross
Rick Wallace
Joel Fields
Tom Szentgyorgyi
Co-Producer:
Kenneth Silverstein
Colorist:
Michael Levy
Consulting Producer:
Steven A. Cohen
Stuart Stevens
Craft Service:
Jane Sakowski Bell
Dolly Grip:
George Gregory
Electrician:
Eric Smith
Carl A. Vidnic
Executive Producer:
Marc Frydman
Rod Lurie
Dee Johnson
Extras Casting:
Debe Waisman
Gaffer:
Tom Schmieder
Graphic Designer:
Hugh Gravitt
Hairstylist:
Robert Hallowell II
Key Set Production Assistant:
Johnny Haddad
Bennett DeCarlo
Leadman:
Mark Rodriguez
Lighting Technician:
Doug Houston
Loader:
Michael Yaeger
Makeup Department Head:
Bonita DeHaven
Music:
Larry Groupé
Music Editor:
Carli Barber
Online Editor:
Greg Faluszczak
Payroll Accountant:
Gabriel DellaVecchia
Post Production Coordinator:
Todd Kleparski
Post Production Supervisor:
Erick J. Kovars
Producer's Assistant:
Marnie Gambit
Production Accountant:
Robin Cousart
Production Assistant:
Andrew McCulloch
Production Designer:
Eloise Crane Stammerjohn
Production Executive:
Christopher Nappi
Property Master:
Gary Antista
Script Supervisor:
Haley McLane
Second Assistant "A" Camera:
Matthew Haskins
Second Assistant Director:
Heather Kritzer
Second Second Assistant Director:
Paul Lawrence
Set Buyer:
Megan M. Sinclair
Set Dresser:
Tyrone Anthony Jones
Sound Recordist:
Scott Van Dutton
Stand In:
Krystal Browning
Charles Wissinger
Michael Ahl
Studio Teacher:
Lucas Moore
Cecilia Cardwell
Theme Song Performance:
Larry Groupé
Title Designer:
Cody Shaw
Unit Publicist:
Erin Felentzer
Visual Effects Producer:
Matt Scharf
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.