Riar Rizaldi

Riar Rizaldi is an Indonesian artist and filmmaker.

Additional information:

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Assistant Director:
2014  Bising: Noise & Experimental Music in Indonesia

Director:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

Director of Photography:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

Editor:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

Music:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

Producer:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

Screenplay:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

Sound Designer:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

Writer:
2014  Bising: Noise & Experimental Music in Indonesia
2019  Kasiterit
2020  Tellurian Drama
2021  Becquerel
2021  Ghost Like Us
2021  Neonatal Unit
2022  Notes from Gog Magog
2022  Pyroclasts are Eloquent Storytellers
2023  Fossilis
2023  Mirage: Metanoia - Prelude
2023  Monisme
2024  Larung
2024  Mirage: Eigenstate

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.