Carolyn Bernstein

Carolyn Bernstein is the Executive Vice President of Scripted and Documentary Films at National Geographic, overseeing the network's award-winning documentary films and scripted content. Under her leadership, National Geographic has produced acclaimed documentaries such as Free Solo, The Cave, and Fire of Love, as well as the Genius series.  Prior to joining National Geographic in 2016, Bernstein served as Executive Vice President of Scripted Television at Endemol Shine Studios and Shine America, where she was the executive producer of the FX series The Bridge. Before that, she was Executive Vice President of Drama Development at The WB, where she developed series such as Gilmore Girls, Smallville, One Tree Hill, and Supernatural.  Bernstein holds a degree in Comparative Literature from Brown University.  In 2024, she was recognized as one of the "Wonder Women of Los Angeles" by NextTV for her contributions to the entertainment industry.

Additional information:

The Search Form


Executive Producer:
2019  The Cave
2020  An Unfinished Symphony
2020  Rebuilding Paradise
2020  The Lost Forest
2021  Becoming Cousteau
2021  Fauci
2021  Own the Room
2021  The Rescue
2021  Torn
2022  Retrograde
2022  The Flagmakers
2022  We Feed People
2023  Bobi Wine: The People's President
2023  The Mission
2023  The Space Race
2023  Wild Life
2024  Blink
2024  Endurance
2024  Fly
2024  Sugarcane
2025  Sally

Executive Producer:
2014  Gracepoint

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.