A work in constant progress (and occasional regress).
Release Date:
October 22, 2021
Original Title:
Becoming Cousteau
Alternate Titles:
Cousteau
Genres:
Documentary
Production Companies:
Ace Content
Diamond Docs
National Geographic
National Geographic Documentary Films
Story Syndicate
The Cousteau Society
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 FR: 12 GB: 12A KR: 12 NL: 12 PT: M/12 RO: 12 SE: 15 SG: NC16 US: PG-13
Runtime: 94
Adventurer, filmmaker, inventor, author, unlikely celebrity and conservationist: For over four decades, Jacques-Yves Cousteau and his explorations under the ocean became synonymous with a love of science and the natural world. As he learned to protect the environment, he brought the whole world with him, sounding alarms more than 50 years ago about the warming seas and our planet’s vulnerability. In BECOMING COUSTEAU, from National Geographic Documentary Films, two-time Academy Award®-nominated filmmaker Liz Garbus takes an inside look at Cousteau and his life, his iconic films and inventions, and the experiences that made him the 20th century’s most unique and renowned environmental voice — and the man who inspired generations to protect the Earth.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Co-Producer:
Diane Cousteau
Pierre-Yves Cousteau
Francine Cousteau
Director:
Liz Garbus
Editor:
Pax Wassermann
Executive Producer:
Carolyn Bernstein
Julie Gaither
Ryan Harrington
Music:
Saunder Jurriaans
Danny Bensi
Producer:
Mridu Chandra
Dan Cogan
Evan Hayes
Liz Garbus
Screenplay:
Mark Monroe
Pax Wassermann
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.