A work in constant progress (and occasional regress).
Alias:
Giuseppe De Biase
Giuseppe Di Biasi
Giuseppe Di Blase
Pino De Biase
Pino Di Biase
Assistant Camera:
1959 Prepotenti più di prima
1963 The Organizer
1963 Yesterday, Today and Tomorrow
1967 The Stranger
1967 The Witches
1978 Little Italy
Camera Operator:
1959 Prepotenti più di prima
1963 The Organizer
1963 Yesterday, Today and Tomorrow
1967 Cuore matto... matto da legare
1967 Hate for Hate
1967 The Stranger
1967 The Witches
1967 The World's Gold
1968 Don Chisciotte e Sancio Panza
1969 Love and Anger
1969 Medicine Italian Style
1970 Il divorzio
1970 Symphony of Love
1970 The Pacifist
1971 Roma bene
1971 The Case Is Closed, Forget It
1972 Knife of Ice
1973 Rugantino
1974 The Last Desperate Hours
1977 La sorprendente eredità del tontodimammà
1978 Little Italy
1978 Rock 'n Roll
1979 Agenzia Riccardo Finzi... praticamente detective
1979 Caligula
1979 From Maid to Lady
1979 The Gang That Sold America
1980 Crime at Porta Romana
1980 Leap Into the Void
1981 The Nosy One
1981 Uno contro l'altro, praticamente amici
1984 Henry IV
1984 Kaos
1987 Rimini Rimini
1988 Cinema Paradiso
1992 Maledetto il giorno che t'ho incontrato
1994 Perdiamoci di vista
1996 Iris Blond
1998 Mr. Fifteen Balls
First Assistant Camera:
1959 Prepotenti più di prima
1963 The Organizer
1963 Yesterday, Today and Tomorrow
1966 The Bible: In the Beginning...
1967 Cuore matto... matto da legare
1967 Hate for Hate
1967 The Stranger
1967 The Witches
1967 The World's Gold
1968 Don Chisciotte e Sancio Panza
1969 Love and Anger
1969 Medicine Italian Style
1970 Il divorzio
1970 Symphony of Love
1970 The Pacifist
1971 Roma bene
1971 The Case Is Closed, Forget It
1972 Knife of Ice
1973 Rugantino
1974 The Last Desperate Hours
1977 La sorprendente eredità del tontodimammà
1978 Little Italy
1978 Rock 'n Roll
1979 Agenzia Riccardo Finzi... praticamente detective
1979 Caligula
1979 From Maid to Lady
1979 The Gang That Sold America
1980 Crime at Porta Romana
1980 Leap Into the Void
1981 The Nosy One
1981 Uno contro l'altro, praticamente amici
1984 Henry IV
1984 Kaos
1987 Rimini Rimini
1988 Cinema Paradiso
1992 Maledetto il giorno che t'ho incontrato
1994 Perdiamoci di vista
1996 Iris Blond
1998 Mr. Fifteen Balls
Production Secretary:
1954 Attila
1954 Woman of the River
1959 Prepotenti più di prima
1963 The Organizer
1963 Yesterday, Today and Tomorrow
1966 The Bible: In the Beginning...
1967 Cuore matto... matto da legare
1967 Hate for Hate
1967 The Stranger
1967 The Witches
1967 The World's Gold
1968 Don Chisciotte e Sancio Panza
1969 Love and Anger
1969 Medicine Italian Style
1970 Il divorzio
1970 Symphony of Love
1970 The Pacifist
1971 Roma bene
1971 The Case Is Closed, Forget It
1972 Knife of Ice
1973 Rugantino
1974 The Last Desperate Hours
1977 La sorprendente eredità del tontodimammà
1978 Little Italy
1978 Rock 'n Roll
1979 Agenzia Riccardo Finzi... praticamente detective
1979 Caligula
1979 From Maid to Lady
1979 The Gang That Sold America
1980 Crime at Porta Romana
1980 Leap Into the Void
1981 The Nosy One
1981 Uno contro l'altro, praticamente amici
1984 Henry IV
1984 Kaos
1987 Rimini Rimini
1988 Cinema Paradiso
1992 Maledetto il giorno che t'ho incontrato
1994 Perdiamoci di vista
1996 Iris Blond
1998 Mr. Fifteen Balls
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.